Page 92 - Sotheby's May 10th 2017 London Important Chinese Art
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A ‘YAOZHOU’ CARVED EWER                                           A ewer of similar cylindrical form and two loop handles on
NORTHERN SONG DYNASTY                                             the shoulder, in the Yaozhou Ware Museum at Huangpu in
                                                                  Tongchuan, Shaanxi province, was included in the exhibition
the cylindrical body supported by a spreading foot, with canted   The Masterpieces of Yaozhou Ware, The Museum of Oriental
shoulders set with a loop handle opposite a curved spout and      Ceramics, Osaka, 1997, cat. no. 73, together with a jar carved
                                                                  with a similar oral motif, cat. no. 74; two ewers are illustrated
 anked by two small strap loops, the long waisted neck rising     in Jan Wirgin, Sung Ceramic Design, Stockholm, 1970, pl. 3a-b,
to an everted rim, the exterior carved all around with scrolling  the rst in the Baur collection in Geneva, and the second,
peony, covered overall with a thin olive-green glaze stopping     of slightly broader proportions, from the Avery Brundage
at the base                                                       collection in the Asian Art Museum of San Francisco; and a
21.5 cm, 8 in.                                                   third example of similar form but carved with a di erent oral
                                                                  motif, in the Meiyintang collection, is illustrated in Regina
಴£ 40,000-60,000                                                 Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 1,
HK$ 386,000-580,000 US$ 49,700-74,500                             London, 1994, pl. 423. Compare also a jar decorated with large
                                                                  blooms, included in the exhibition Song Ceramics from the
                                                                  Kwan Collection, Hong Kong Museum of Art, Hong Kong, 1994,
                                                                  cat. no. 79.

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