Page 235 - Chinese Porcelain Vol II, Galland
P. 235

PEACH BLOOM.                     361

             to have been    on            but the colour seems
      appears            put    by hatching,
      to have fused in the fire, and now mixed with
                                                green entirely
      hides the        Where the
              porcelain.         green  came from there is  nothing
      to show. The red is of a  bright pinky hue, in some  lights  almost
      claret-coloured, without russet  spots,  while the  green  is of a
      celadon shade.  Below the bat, on what is    intended to
                                           probably
               a          No. 49), in the middle of a      of
      represent  peach (see                         ground
                            there  is an               of dull
      bright transparent pink,         egg-shaped patch
      green  which also seems to have fused and run down a little
      semicircular  groove  moulded in the china, probably  to  give  the
      contour of a    ; at     the     shows        the
                 peach   places    pink      through    green.
      The  "  russet  spots  "  are  chiefly  on the white  porcelain,  and
      seem to consist, when of  any size, of  pink rings  with  green
      centres.  On the middle bulb the  peach  bloom is of the usual
           without      so that .we have three kinds
      type,       green,                           exemplified
      in this one
                piece.
         In the  present instance, the brush and the. fire seem to have
      worked        to      about the desired effect, the
            together  bring                          colouring
      is far too           to be due to chance transmutation in
              evenly placed
      the furnace ; but we must remember that, by  the end of the
      reign  of  Kang-he,  the Chinese had obtained control over most
      of the       colours and could       for their       in
            protean                 arrange        mingling
      the oven.  Speaking  of this transmutation, Pere d'Entrecolles
          "
      says,  the workmen intended to make vessels of brown-red, but
      a hundred       were                   this which  I am
                pieces     entirely  lost, and
              of came out of the furnace like a kind of    If
      speaking                                      agate.
          would run the risk and         of various
      they                       expense          experiments
      they might  at  length  discover the art of  making constantly
      what chance has once         in the same manner as
                          produced,                      they
      have learnt to make the  shining  black china, called  U-king  ;
      to which  they  were excited  by  such another  caprice  of the
      furnace." We see from this that, once the fire had shown what
      was  possible,  it was a mere matter of time and  money  to find
      out the secret.
         The pink shade referred to here must not be confused with
      the rose enamel of the next two     This
                                  reigns.     transparent pink
           came from        the rose enamel from
      glaze          copper,                   gold.
         Peach bloom, like  sang  de  boeuf,  is the result of the  grand
      feu and  belongs  to the celadon class, and  appears  on  pieces
      decorated under the
                        glaze.


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