Page 600 - Chinese Porcelain Vol II, Galland
P. 600

KEA-KING.
              492
              similar, where the  body  is  of a  grey white, imitating jade.
              The           is         and  fine, and the  only  decoration
                  porcelain   very pure
              consists of the raised baton in  groups  that  typify  the  first
              written  characters  of the Chinese  language.  Those  here,
              modern as  they are, were  brought  from China  forty years ago,
              as  a  part  of a  fine collection of, for the most  part,  ancient
                        that realized at the death of the owner
              porcelains                                    12,000."

                                   Reproductions.
                 Nos. 880, 881, 882. We left the last club vase some hun-
              dred  years  back at No. 609, but  they  seem to have come into
              fashion  again  to some extent about this time, generally  as
                    of the                However, beyond  the    and
              copies      Kang-he pieces.                   shape,
              that it somewhat resembles the old  pieces  decorated  chiefly  in
              red, No. 880 is  perfectly unique  in  every way,  and were  it
              not for the  paste,  and the blues and  greens employed,  it would
              be  difficult  to form  any opinion regarding  what  reign  it
              belonged to, as the  painting  and  everything  about it is  worthy
              of one of the earlier  periods.  The  key pattern  on the  flange
              is in red, the bands on each side of the collar in  green  with
              other collars, red comb  pattern  at  top,  and  design  below. The
              drawing  of the  figures  is in red and  sepia,  the face and hair of
              the  large  figure being chiefly  in the former, with red robe
              covered with  gilt designs,  blue head-dress, and  green trousers.
              The smaller  figures  are in the same colours, but rather more
                                                              "
              subdued in tone.  The  large figure probably represents Chung
                    ^
              Kw'ei,"  an  imaginary  being,  believed to wield  powers of
              exorcism over  malignant demons, and  frequently depicted  as
              an  aged  man clad in  ragged apparel,  and  holding  a fan to his
              face to conceal his        An ancient          once saw
                                ugliness.            emperor
              him  going  into a house, and asked him What are  you going
                                                 '
              there for?'  He answered, 'To catch evil
                                                      spirits.'  During
              the fifth moon his  picture  is sold and  hung  as a charm."  "  The
              Dragon, Image  and Demon," p.  446.  One condemned demon is
              under the     foot of the             while another with
                       right           large  figure,
              fear and
                     trembling presents a rice measure, which will  probably
              be found of short measure.  In No. 881, two wretched creatures
              await sentence with a wine vessel, the contents of which are no
                       30
                         The "Shoki" of  Japanese mythology.  T. J. L.
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