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           AN EXPORT LACQUER CABINET                         Published
           Edo period (1615-1868), second quarter of the 17th century   Edmund J. Lewis and Joe Earle, Shadows and Reflections: Japanese
           The rectangular cabinet fitted with hinged doors and decorated in   Lacquer Art from the Collection of Edmund J. Lewis at the Honolulu
           gold and silver hiramaki-e, takamaki-e, nashiji, kirikane and aogai, the   Academy of Arts, Honolulu Academy of Arts, 1996, cat. no. 6
           top and sides all decorated with shaped panels containing moonlit
           landscapes, blossoming autumn plants, and an owl perched in a   The unusually fine decoration of this cabinet, in the style associated
           camellia tree, each panel set against a dense gold nashiji ground, the   with lacquerwares manufactured for the Dutch market starting in about
           edges finished in bands of geometric design and chrysanthemums and  1620, allows us to associate with it a famous group of pieces dating
           vines, the interior of the doors decorated with blossoming flowers, the   from the 1630s, several of them special commissions for leading
           removable drawers black lacquer, the silver hardware decorated with   officers of the Dutch East India Company. The landscape panels, in
           chrysanthemum heads and stylized vines            particular, match those special commissions in the quality of their
           12 1/4 x 16.7/8 x 14 7/8in (31.2 x 42.8 x 37.7cm)   execution and their exotic medley of Japanese with Chinese, Korean
                                                             and other foreign motifs; see Joe Earle, “Genji Meets Yang Guifei:
           $8,000 - 10,000                                   A Group of Early Japanese Export Lacquers,” Transactions of the
                                                             Oriental Ceramic Society, 47 (1982-3), pp.45-75.

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