Page 118 - Sotheby's Arts of Asia Paris, June 16, 2022
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               PROPERTY FROM AN IMPORTANT EUROPEAN PRIVATE   喜馬拉雅西部 約十一世紀 銅合金咕嚕咕列佛母
               COLLECTION                                坐像
               A COPPER-ALLOY FIGURE OF KURUKULLA        來源 :
               WESTERN HIMALAYAS, CA. 11TH CENTURY       紐約蘇富比,2013年3月20日,編號219
               the three-headed and six-armed tantric Buddhist meditation
               goddess seated in paryankasana, on a lotus surrounded by
               naga, holding an arrow and bow in her uppermost left and
               right hands, a vajra sceptre and lotus flower in the middle,
               her principle right hand in abhaya mudra, the gesture of
               fearlessness, and the left before her heart in tarjani mudra,
               the gesture of warning
               H. 22.7 cm, 9 in.
               PROVENANCE
               Sotheby’s, New York, March 20th, 2013, lot 219.
               Statue de Kurukulla en alliage de cuivre, Himalaya de l’ouest,
               vers XIe siècle
               ‡  25 000-35 000€














               The three-headed and six-armed tantric Buddhist meditation   1977, cat. 37. Kurukulla wears a tight-fitting bodice shaped
               goddess holds an arrow and bow in her uppermost left and   to reveal the navel and the top of the breasts in the fashion
               right hands, a vajra sceptre and lotus flower in the middle,   common throughout early Kashmir and western Himalayan
               her principle right hand in abhaya mudra, the gesture of   depictions of female deities from around the ninth century,
               fearlessness, and the left before her heart in tarjani mudra,   see Siudmak, The Hindu-Buddhist Sculpture of Kashmir and
               the gesture of warning. The goddess is seated in the yogic   its Influences, Leiden, Boston, 2013, p. 440. No other example
               posture, paryankasana, on a lotus surrounded by naga   of this form of Kurukulla is recorded from Himalayan regions,
               with hands held in anjali mudra, a gesture of offering and   but a rare four-armed seated emanation of the goddess is
               reverence. An aureole of flames rises behind the goddess   depicted in an eastern Indian Pala period (8th-12th c.) gilt
               in a trilobate format typical of northern Indian Himalayan   copper figure formerly in the Nyingjei Lam Collection, sold at
               styles such as a Prajnaparamita in the British Museum, see   Sotheby’s Hong Kong, October 3, 2017, lot 3106.
               Auboyer and Béguin, Dieux et démons de l’Himâlaya, Paris,
























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