Page 82 - 2020 September Fine Chinese Paintings and Works of Art, Bonham NYC
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           A LARGE CHESTNUT-GLAZED POTTERY HORSE
           Tang dynasty                                      The present lot is unusual for its size and exemplifies the finest of Tang
           The magnificent steed naturalistically modeled standing foursquare   dynasty sculptural art. The horse is modeled in a life-like manner with
           on a rectangular base, the head with pricked ears pulled in slightly   realistic musculature, and glazed in a natural color. The open mouth
           and turned to the left, the curved neck grooved to hold a fiber mane,   and unadorned body indicate that it would have had separately made
           the anatomy rendered with well-defined bone structure and muscular   trappings, such as harness, saddle blanket and saddle, accoutrements
           shoulders and rump, an oval aperture in the rear to receive a fiber tail,   often seen molded on caparisoned models. The desire for realism
           covered overall with a streaky chestnut brown glaze over ivory on the   is also borne out by the groove in the neck and the aperture in the
           forehead and hooves.                              rear made to hold a fiber tail and mane, probably made of real horse
           32 5/6in (83cm) high                              hair that has long since disappeared. For a discussion on bronze
                                                             ornaments found near unadorned horse figurines in tombs, see William
           $80,000 - 100,000                                 Watson, Tang and Liao Ceramics, New York, 1984, p. 200; and
                                                             Virginia L. Bower and Robert L. Thorp, Spirit and Ritual: The Morse
           唐 褐彩陶馬                                            Collection of Ancient Chinese Art, New York, 1982, pp. 66-67.

           Provenance                                        During the Tang dynasty, the horse was the emblem of prestige
           A Dutch private collection                        and power, and the present example with its large size, realism and
           An English private collection, purchased in Hong Kong in the 1990s   separately made trappings, would have been intended to display
                                                             the high status of the owner. For smaller Tang dynasty examples
           來源                                                see a straw and amber glazed horse sold at Christie’s New York, 20
           荷蘭私人收藏                                            September 2002, lot 257; and a chestnut and straw glazed horse sold
           英國私人收藏,約1990年購於香港                                 in our San Francisco rooms, 26 June 2018, lot 308.

                                                             The result of Oxford Authentication Ltd. thermoluminescence test
                                                             sample number C201d38 19 December 2001 is consistent with the
                                                             dating of this lot.
























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