Page 116 - The Meiji Aesthetic Christie's Hong Kong.pdf

明心匠治：亞洲私人收藏明治時代精品
THE MEIJI AESTHETIC: SELECTED MASTERPIECES FROM A PRIVATE ASIAN COLLECTION

3837
A SHIBUICHI (SILVER AND COPPER ALLOY) VASE 明治/大正時代 朧銀蘆鴨圖瓶 銘 正美 (四谷正美 1876-1941）
MEIJI-TAISHO PERIOD (EARLY 20TH CENTURY), SIGNED MASAMI
(YOTSUYA MASAMI; 1876-1941) AND SEALED YOTSUYA 盤口短頸，圓肩長腹，頸肩一周銀飾滴漏圖案。朧銀胎，下腹
刻蘆葦水鴨紋，構圖疏朗，雕工精緻，部分紋飾鍍金，兼嵌赤
The tapering ovoid form designed with silver drips around the 銅，瓶身銘款。
shoulder, the shibuichi body fnely incised with a pair of ducks
and reed, the details embellished with gilt, silver and shakudo, the 展覽
signature on body 「驚人的明治工藝」，東京藝術大學美術館，2016年9月7日-10
11Ω in. (29.2 cm.) high 月30日；京都細見美術館，2016年11月12日-12月25日；埼玉縣
川越市立美術館，2017年4月22日-6月11日；展覽圖錄展品編號
HK$160,000-240,000 US$21,000-31,000 75。

著錄
EXHIBITED
“Meiji Kogei: Amazing Japanese Art,” shown at the following 郭鴻盛及張元鳳主編，《明治之美》，國立臺灣師範大學文物
venues: Tokyo University of the Arts Museum, 2016.9.7-10.30. 保存維護研究發展中心，2013年，頁208-209。
Hosomi Museum, Kyoto, 2016.11.12-12.25. Kawagoe City Art
Museum), 2017.4.22-6.11. cat. no. 75. 四谷正美生於岡山，1899年東京美術學校畢業，及後負笈海外
進修，並出任日本帝展及巴黎萬國博覽會委員，1927至1939年
LITERATURE 間獲邀參加帝展及新文展，名作垂釣香爐在1933年第14屆帝展
Kuo Hong-Sheng and Chang Yuan-Feng, chief eds. et al., Meiji no bi 中獲得表彰。
/ Splendid Beauty: Illustrious Crafts of the Meiji Period (Taipei: National
Taiwan Normal University Research Center for Conservation of
Cultural Relics, 2013), pp. 208-209.

Yotsuya Masami was born in Okayama and graduated from the
Tokyo School of Fine Arts in 1899, then furthered his studies
abroad. He was a member of the Teiten Exhibition Committee and
also various art-related committees including the Paris Exposition
of 1900. He exhibited at the Teiten and Shin-Bunten Exhibitions
every year between 1927 and 1939 and was given a commendation
for a hanging incense burner at the 14th Teiten Exhibition in 1933.