Page 122 - The Meiji Aesthetic Christie's Hong Kong.pdf

明心匠治：亞洲私人收藏明治時代精品
THE MEIJI AESTHETIC: SELECTED MASTERPIECES FROM A PRIVATE ASIAN COLLECTION

3839
A SOFT-METAL-INLAID SILVER VASE 明治/大正時代 蔦象嵌銀花瓶 銘 有民 (飴谷有民 ？-1939）
MEIJI-TAISHO PERIOD (EARLY 20TH CENTURY), SIGNED YUMIN
(AMETANI YUMIN;?-1939) 盤口折肩，直腰短腹，嵌金嵌銅，飾葡萄紋，清逸脫俗，典雅
秀巧，瓶身銘款。
The globular form inlaid in gold and copper with grape vines, the
signature on body 附原裝木盒，蓋題「飴谷有民作銀製花瓶蔦象嵌」，底銘、鈐
11æ in. (29.8 cm.) high 「有民」
With original wood box titled Ametani Yumin saku gin sei kabin tsuta
zogan (A silver vase with inlaid vine by Ametani Yumin) on lid, 著錄
sealed and signed Ametani Yumin on the reverse side 郭鴻盛及張元鳳主編，《明治之美》，國立臺灣師範大學文物
保存維護研究發展中心，2013年，頁249。
HK$120,000-200,000 US$15,000-26,000
二十世紀初，日本藝術家開始在各類媒介引入及融合西方元
素。他們大受歐洲新藝術運動講求之典雅風格及自然紋飾啟
LITERATURE
Kuo Hong-Sheng and Chang Yuan-Feng, chief eds. et al., Meiji no bi 發，追求創意多變，重塑日本設計傳統，所滲入之西方裝飾藝
/ Splendid Beauty: Illustrious Crafts of the Meiji Period (Taipei: National 術精髓在本品中可見一斑。
Taiwan Normal University Research Center for Conservation of
Cultural Relics, 2013), p. 249. 飴谷有民先後師承海野勝珉（1844-1915年）及伊田七之助，
從伊田氏藝名「有國」及岳父名字「民國」中各取一字，命名
In the early 20th century, the Japanese artists started to integrate and 「有民」，藉以對前人致敬。
adapt the Western artistic infuence into various felds. The purely
decorative and elegant style of naturalistic fowers characteristic
of Art Nouveau had a great impact on Japanese artists. It inspired
them to pursue more creative designs and to re-construct traditional
Japanese design with a Westernized decorative essence as shown on
the present lot.
Yumin frst apprenticed to the great metal artist, Unno Shomin
(1844-1915) and later to Ida Shichinosuke in Tokyo. The art
name Yumin is composed of the character “yu” from “Yukoku”,
Shichinosuke’s art name, and “min” from the name of his father-in-
law “Minkoku”, and is a tribute to both of his great masters.

Henri Riviere (1864-1951). Les Trente-six Vues de La Tour Eiffel. France. 20th
century. Christie’s Paris, 15 Nov 2018, lot 63.

This work by Henri Riviere, the modernist photographer and printmaker,
shows the interplay between natural motifs and abstraction that
characterizes art nouveau.
亨利 • 里維耶（1864-1951），〈艾菲爾鐵塔三十六景〉，法國，20世紀，
巴黎佳士得，2018年11月15日，拍品63

里維耶此作巧妙融合自然景觀與抽象元素，盡顯新藝術運動風格