Page 158 - Edo: Art in Japan, 1615–1868
P. 158

cat. 87
           Tray with scene of  men
          pulling a/oundation stone,
           seventeenth century,
        lacquer on wood with makie,
             32.7x51.8x3.5
             7
                     3
                  3
           (l2 /8 X 20 /8 X I /8),
          Tokyo National Museum





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                               and the  alternate  attendance that required daimyo to spend time in Edo) resulted  in money passing

                               from  the warrior class into the hands of lower-class merchants  and artisans. Therefore, those with  the
                               least political authority came to control much of the country's wealth. The new power held by this
                               group of sellers — who  were also consumers — is evidenced by their increasing importance as  a  theme
                               in art, demonstrated  with  greatest  efficacy  in Pictures of All the Workers.




             T H E  W O R K E R ' S  The Edo government's Confucian-oriented  accentuation of the  specific  roles of people within society
          R O L E  I N  S O C I E T Y  stimulated  the  creation of art on the  theme  of the worker. The changed role of the  samurai as adminis-
                   A N D  A R T  trator engendered  a new emphasis  on a person's specific  function  in society, a concept that trickled
                                                              12
                               down through the various classes.  Because each member of each class participated in sustaining
                               Japan and its people, the  dignity of work was stressed.  In turn, each type of work became  a path for
                                                                                                                  13
                               study and in many cases  for secret transmission  of information from  master to apprentice.  The large
                               number of paintings of merchants  and farmers hints at the  new cultural and  social influence  of the
                               working classes.
                                       The new order of Japanese society had  the  subsidiary effect  of promoting workers as an idea in
                                art,  making them a symbol of prosperity, an archetype of peaceful  living, and  an  emblem of a country
                                rebuilding after  a century of war. Silk workers were recognized as symbols of industry and  rice farmers
                                as the individuals without whose work the  economy would collapse, because rice was used to pay
                                the  samurai and eventually replaced millet as the  food  for the  general populace. Those with  disposable
                                income — merchants  and  artisans — were identified  not  only as creators, builders, and  distributors
                                but as consumers  and  tastemakers.
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