Page 322 - Edo: Art in Japan, 1615–1868
P. 322

176


















                                                                                                                                                            32l

























                                      176                             that Hokusai could not stop himself  eloquently betray their  groggy reluc-
                                      Katsushika Hokusai (1760-1849)  from  portraying the mountain.  Fuji  tance to engage the  day. Hokusai has
                                      Dawn at  Isauua  in Kai Province,  stood for more than  a scenic view to  cleverly shown the sunlight striking
                                      from Thirty-six Views of Mount Fuji  him. Obsessed with the desire  Fuji in the  dawn sky and illuminating
                                                                      for longevity, Hokusai believed that  the thatched  roofs on the  far side
                                      c. 1830-1832                    Fuji had  talismanic qualities capable
                                      Color woodblock print           of prolonging his  life: the pronun-  of the street; those on the near side,
                                                                                                       as well as the
                                                                                                                 road itself, are still
                                                    T
                                      Approx. 26 x  38 (io /4 x  15)  ciation of "Fuji" resembles that  of a  cast in shadow. Despite the palpable
                                      Tokyo National Museum
                                                                      pair of Chinese characters meaning  sense of an observed scene, it has
                                                                      "no death."                      been  suggested that Fuji cannot be
                                      •  The love affair  with Mount Fuji
                                      begun by Hokusai in the  series Thirty-  The place depicted is the bustling  seen  from  this location because it is
                                                                                                                 intervening hills. MT
                                                                                                       hidden by the
                                      six Views of Mount Fuji culminated  in  post town of Isawa on the  Fuefuki
                                      his three-volume monochrome book  River, at the  fork  of the  two major
                                      One Hundred  Views of Fuji, produced  roads Kóshú Kaidó and Osaka Shindó.
                                      in  1834, about three years after  the  Hokusai seems to have been  fond of
                                      original set of single-sheet prints. An  the locality; he had already depicted
                                      intermediate phase is represented  it in the next-to-last print in the origi-
                                      by this and nine other prints depict-  nal series. Here he imbued the  scene
                                      ing Fuji  from  the hinterlands  (ura  with the lyrical quality that Ando
                                      Fuji, literally "rear Fuji"), added to  the  Hiroshige (1797-1858) would exploit
                                      Thirty-six Views after the  supposed  so successfully slightly later. It is day-
                                      completion  of the  series. It seems  break, and travelers are staggering
                                                                      sleepily out of the night, their forms
                                                                      barely visible in the  shadows of the
                                                                      road. The tilted angles of their hats
   317   318   319   320   321   322   323   324   325   326   327