Page 68 - Edo: Art in Japan, 1615–1868
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I would like to acknowledge  10  Carolyn Wheelwright, "A  12  Hayashi Razan, Razan sensei
                         help from my research   Visualization of Eitoku's Lost  bunshú 23 (1918), i.253b-
                         assistant, Atsuko Kikuchi,  Paintings at Azuchi Castle," in  i254b, quoted in Shively
                         and  from Richard Hodges.  Warlords, Artists, and Common-  1965,139-
                                                 ers: Japan in the Sixteenth
                      1  Owen Jones was a theorist  Century, ed. George Elison and  13  Kóno Motoaki, "Nikkó
                         and designer who created the  Bardwell Smith (Honolulu,  Tóshógü to Kanó Sanraku,"
                         Grammar of Ornament series,  1981), 87-112.     Nikkó Tóshógü no sôshoku
                         which attempted  to collect                     monyó, jinbutsu, dóbutsu, ega
                         and illustrate ornament pat-  11  An example of the  sumptuary  (Tokyo, 1994), 122-130.
                         terns from  all over the world.  laws can be seen in the  follow-
                                                 ing list of prohibitions for  14  Takafuji  Harutoshi, "Nikkô
                      2  David Brett, On Decoration  the  merchant class (chônin) of  Tóshógü  no horishi ni tsuite,"
                         (Cambridge, 1992), 36.  Edo, made in  1649:     Nikkó Tóshógü no sóshoku monyó,
                                                 1. Servants of chônin should  shokubutsu, chórui (Tokyo, 1994),                              67
                      3  Quoted in Brett 1992, 44.  not wear silk.       114-140.
                                                 2. Chônin should not wear
                      4  Yamanashi Emiko, Nihon no                     15  Takafuji  1994,121-122,133-134.
                         bijutsu 6, no. 349 (Tokyo, 1995),  wool capes.
                         40.                     3. Entertainment by chônin  16  Takafuji  1994,121,133. Takafuji
                                                 should not be elaborate.  notes that a list of all design
                      5  The Tokugawa government  4. Chônin should not have  patterns was published in  1991
                         sent a small display to the Paris  household articles with gold  entitled Shiryóhen, Tóshógü no
                         Exposition Universelle in  1867.  lacquer decorations.  horishi (edited by the Tóshógü
                                                                         bunko).
                                                 5. Chônin should not  use
                      6  Section 137. Translation  from
                                                 gold and silver leaf in their
                         Donald Keene, "Japanese  building.            17  Kobayashi Tadashi, "Kinsei
                         Aesthetics," in Japanese                        shoki yüraku füzokuga no hen-
                         Aesthetics and  Culture: A  6. Three-story houses should  shitsu," in Nihon byóbue shüsei
                         Reader, éd. Nancy Hume  not be built.           14, ed. Kobayashi Tadashi
                         (Albany, N.Y., 1995), 30-31.  7. Chônin should not have  (Tokyo, 1979), 122-129.
                                                 gold lacquer on their riding
                      7  Tsuji Nobuo has  written  saddles or braided-thread  18  This idea was  first  proposed
                         numerous publications on the  cruppers.         by Kuroda Taizó of  the
                         subject, including Nihon no bi  8. Saddle cushions should  not  Idemitsu Museum of Arts,
                         "kazari no sekai" ten (Tokyo,  be made of materials  other  Tokyo.
                         1988); Nihon o kazaru (Tokyo,  than pongee, cotton, and wool
                         1991); "The Concept of  the  blankets.        19  See, for example, the  special
                         Decorative in Japanese Art"                     issue of the ceramic magazine
                         (in English and Japanese), in  9. Weddings of chônin should  Tósetsu, no. 414 (September
                         Japan  and Europe in Art History  not be elaborate.  1987), and  Tóyó tóji 21-22
                         (Tokyo, 1995), 557-574;  10. Chônin should not wear  (1990-1993), 5-134-
                         "Ornament (kazari) — An  long swords or large short
                         Approach to Japanese Cul-  swords.            20  Arakawa Masa'aki, "Kokutani
                         ture," Archives of Asian Art  11. Chônin should  not  dress  yóshiki no sóshoku ishó no
                         (i994), 35-45-          in an outlandish fashion.  tokushitsu ni tsuite," Museum
                                                                          [Tokyo], no. 485 (August 1991),
                                                 Donald H. Shively, "Sumptuary
                      8  Quoted in Tsuji 1994, 35.                        19-36.
                                                 Regulation and Status in Early
                                                 Tokugawa Japan," Harvard
                      9  Translation from  Edward                      21  Nagasaki Iwao, "Designs for
                         Kamens, "The Past in the  Journal Of Asiatic Studies  23  a Thousand Ages: Printed
                         Present: Fujiwara Teika and  (1965), 129. Shively also writes  Pattern Books and  Kosode,"
                                                 (pp. 125-126): "Saikaku says
                         the Traditions of Japanese                       in  When Art Became Fashion:
                         Poetry," in  Word in Flower: The  that the type and quality of  Kosode in Edo-Period  Japan,
                         Visualization of Classical Litera-  clothes to be worn are dictated  ed. Dale Carolyn Gluckman
                         ture in Seuenteenth-Century  by the necessities of status or  and Sharon Sadako Takeda
                                                 profession, whether  samurai,
                         Japan, ed. Carolyn Wheelwright                   (Los Angeles, 1992), 103.
                         (New Haven, 1989), 30.  merchant, or prostitute. If
                                                 there is a logic to distinctions  22  Okakura Kakuzó, ideals of the
                                                 in function, distinctions must  East (Rutland, Vt., 1970), 10.
                                                 also be maintained in appear-
                                                 ance. Exceeding one's status
                                                 did not offend heaven  as
                                                 much as it did the Tokugawa
                                                 government."
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