Page 78 - Edo: Art in Japan, 1615–1868
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                       II                              a pleasing balance between  the nega-  The exterior of this piece is decorated
                       Dish with iuy design            tive and positive space. The play with  with  a large scrolling vine pattern in
                                                       space continues, as the ivy leaves are  iron oxide and yellow enamel. The
                       c. 16505                        carefully layered against one another.  outside of the footring has  a stylized
                       Hizen ware, aode Kokutani style  One green leaf is even partly tucked  lotus leaf pattern that appears again
                       Porcelain with polychrome       behind the stem. The background  later on certain Nabeshima footrings.
                       overglaze enamels               consists of a stylized floral pattern in  The interior of the  footring is covered
                       Diameter 25.3 (10)              yellow and iron oxide. On the interior  with green enamel, and a large styl-
                       The Kyushu Ceramic Museum, Saga
                                                       rim a stylized water pattern is painted  ized mark in iron oxide that indicates
                                                       in deep green and articulated with  "happiness  descending from  heaven"
                       • This high-footed aode dish is similar
                       in decoration to the preceding bowl  iron oxide. The rim itself is molded  (roku) is placed in the  center.
                                                       into the shape of twelve petals (the
                       (cat. 10). The central motif is a sprig of                       High-footed vessels with  similar
                       ivy with two blue and three green  standard number for later Ming blue-  coloring have been excavated  from
                                                       and-white dishes).
                       leaves. The knurled brown stem grace-                            the Yanbeta kiln number 4, making
                       fully  covers the central area, creating                         it possible that this dish was fired
                                                                                        there. NCR
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