Page 76 - Bonhams May 2022 Arrow Vases
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           A RARE BRONZE ARROW VASE, TOUHU
           Yuan/Ming Dynasty
           The compressed globular body cast with four high-relief beast heads
           alternating with fin-shaped flanges, all reserved on a honeycomb
           diaper ground, rising from a splayed pedestal foot cast with a classic-
           scroll border and lingzhi sprays against leiwen ground, the tall neck
           divided into three sections with the middle decorated with taotie
           masks reserved on leiwen ground, between a classic-scroll border
           and a register with relief decoration of cast jewels and tassels reserved
           against a taotie mask and leiwen ground, all below the top flanked by
           a pair of handles decorated around the edges with bosses enclosing
           diaper ground.
           30.1cm (11 7/8in) high, 3.1kg.
           HKD80,000 - 120,000
           US$10,000 - 15,000
           元/明 銅龜背饕餮紋雙貫耳投壺

           Provenance:
           Phillips, London, 18 September 1986
           The Brian Harkins Collection
           來源:
           倫敦富藝斯,1986年9月18日
           布萊恩·哈金斯珍藏









           The hexagonal diaper on this vase was popular in Song and Yuan   壺口及貫耳上下口沿起鼓釘紋一周,主體鏨刻龜背紋,壺頸紋飾分兩
           dynasties, and it was sharpened by carving after casting. Compare   段,鏨刻饕餮紋,上段再鑄浮雕瓔珞,頸鏨刻卷草紋一周,肩部分四
           a bronze 'garlic head' vase with similar concentric hexagonal diaper,   格,每格內鏨刻龜背紋錦地,扁圓鼓腹,出四戟,每面正中鑄立體獸
           which was excavated in Haining, Zhejiang, illustrated by M.Wang,   首,錦地分兩層,上層龜背紋,下層竊曲紋,束腰分四格,每格飾饕
           'Song Yuan Fanggu Qingtongqi Shang De Wenyang', in Shoucangjia,   餮雲紋,圈足直壁,上飾卷草紋。
           October 2010, p.48, pl.11. The high-relief ornament on the neck are
           related to that on the beaded necklace of Buddhist figures during   此壺龜背紋承襲自宋元,可參考浙江海寧出土一件元代蒜頭瓶,其龜
           the Yuan to the early Ming dynasties. Compare a gilt-bronze figure of   背紋一如此壺,為多層同心六格網狀分佈,見王牧撰,《宋元仿古青
           Vajrasattva, Yongle, with beaded necklaces, illustrated in Classics of   銅器上的紋樣》,載於《收藏家》,2010年10月,頁48,圖11。頸
           the Forbidden City: Sculptures in the Collection of the Palace Museum,   部瓔珞則常見於元代至明早期佛教造像,參考北京故宮藏一件明永樂
           Beijing, 2012, pl.200.                            銅鎏金金剛薩埵像胸前瓔珞,見《故宮雕塑圖典》,北京,2012年,
                                                             圖版200。此壺所飾卷草紋亦有明代早期風格,可比較大英博物館藏
           The leafy scroll on the present vase is in the style of the early Ming   一件明永樂銅鎏金釋迦牟尼像底座所飾卷草紋,見 Craig Clunas 及
           dynasty. Compare with a gilt-bronze figure of Sakyamuni similarly
           decorated on the stand with a leafy scroll in the British Museum,   Jessica Harrison-Hall編, 《Ming: 50 Years that Changed China》,
           illustrated by C.Clunas and J.Harrison-Hall, Ming: 50 Years That   北京,2012年,頁227,圖195。
           Changed China, London, 2014, p.227, fig.195.















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