Page 70 - Indian and Himalayan Art Mar 21, 2018 NYC
P. 70

PROPERTY FROM THE ESTATE OF STAFFORD ELIAS
















                                                                               333
                                                                               AN ILLUSTRATION TO THE DVADASA
                                                                               BHAVA: MIR KANAK IN CHINA
                                                                               SURROUNDED BY HIS FOLLOWERS
                                                                               MUGHAL COURT ARTIST AT ALLAHABAD,
                                                                               NORTH INDIA, 1600-1605
                                                                               Opaque watercolor heightened with gold on paper,
                                                                               two lines of black nasta’liq above and below, the
                                                                               reverse with 15ll. black, red and gold nasta’liq,
                                                                               colored ruled margins each side, mounted, framed
                                                                               and glazed
                                                                               Painting 6æ x 4¡ in. (16.9 x 11.3 cm.)
                                                                               folio 13 x 8Ω in. (33.2 x 21.7 cm.)
                                                                               $40,000-60,000

                                                                               PROVENANCE
                                                                               Sotheby’s London, 11 July 1972, part lot 45.
                                                                               The story begins with the narrator recovering
                                                                               consciousness having passed out for a day. He
                                                                               wakes to fnd himself somewhere unfamiliar and
                                                                               after walking a very long distance in confusion
                                                                               he arrives at a city. It then jumps to Mir Kanak
                                                                               gathering his followers to carry out a holy washing
                                                                               ceremony, which ends in a discussion with one of
                                                                               his followers called Kab Das.
                                                                               The artist of this painting in the original catalogue
                                                                               was identifed as “Artist A.” As in the previous
                                                                               lot the rocks are pronounced and there is a very
                                                                               playful attention to the detail shown in the scenes
                                                                               happening in the background.



























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