Page 178 - Bonhams Chinese Art NYC Nov 9 2017
P. 178

116 TP Y
           A MAGNIFICENT PAIR OF HUANGHUALI ‘FOUR CORNERS
           EXPOSED OFFICIAL’S HAT’ ARMCHAIRS, SICHUTOU
           GUANMAOYI
           17th century
           Each composed with a shaped headrest supported by the solid-
           panel S-shaped backsplat, the sinuous protruding arms supported
           by S-shaped side posts and goose-neck front posts, the rectangular
           seat frame enclosing a hard woven mat and supported on circular legs
           joined by a curved apron above stepped stretchers and a foot rail, the
           wood patinated to a rich reddish tone.
           Each 118.2cm (46 1/2in) high x 58cm (22 6/8in) wide x 50cm
           (19 6/8in) deep. (2).

           £150,000 - 200,000
           CNY1,300,000 - 1,800,000

           十七世紀 黃花梨四出官帽椅 一對

           Provenance: a British private collection

           來源: 英國私人收藏




           The ‘four corners-exposed’ form is one of the earliest classic forms   collection, is illustrated in S.Handler, Austere Luminosity of Chinese
           found in huanghuali furniture chair design. Early forms of this chair can   Classical Furniture, Berkeley, 2001, p.54, fig.4.14 (one of a pair);
           be seen in murals at Dunhuang dating from the Sothern and Northern   a further similar armchair is illustrated in R.H.Ellsworth, Chinese
           dynasties, which have seen further evolvements through the Tang   Hardwood Furniture in Hawaiian Collections, Honolulu,1981, no.10;
           and Song dynasties; see Quincy Chuang, ed., Fine Ming and Qing   and compare another closely related armchair with four protruding
           Furniture in the Shanghai Museum, Hong Kong, 1998, p.36.    ends and cloud motif on splat and tendril on apron, Ming dynasty,
                                                             from the Wang Shixiang collecton, illustrated in Wang Shixiang,
           The present pair of armchairs represent one of the most sculptural   Classic Chinese Furniture – Ming and Early Qing Dynasties, Bankok,
           forms of Chinese furniture from the late Ming period. The graceful and   1986, pl.46; see also a further similar example, in the collection of the
           sinuous shaping of the frame members resonate with dynamism and   Central Academy of Arts and Crafts, Beijing, illustrated in Chen Zengbi,
           elegance, and the vigorously shaped top rails resemble the protruding   Zhongyang Gongyi Meishu Xueyuan Yuancang: Zhenpin Tulu [Central
           wings of the hats worn by Ming officials, hence known as ‘officials’ hat   Academy of Arts and Crafts: Illustrations of collections], vol.2: Mingshi
           chairs. The flat ends of the yokes and arms impart a restrained inner   Jiaju [Ming Furniture], Hong Kong, 1994, p.23.
           strength reinforcing the stately presence of the chairs.
                                                             A similar single huanghuali high yokeback armchair, late Ming dynasty,
           Compare a very similar pair of huanghuali yokeback armchairs,   of slightly smaller size and with a medallion on the splat, was sold
           16th/17th century, illustrated in Splendor of Style: Classical Chinese   at Sotheby’s Hong Kong, 6 April 2016, lot 108; compare also a pair
           Furniture from the Ming and Qing Dynasties, Taipei, 1999, p.82;   of huanghuali yoekback armchairs, 17th century, which was sold at
           another similar example, circa 1600, from the John W. Gruber   Sotheby’s New York, 11-12 September 2012, lot 218.




















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