Page 51 - Contenplating the Divie Buddhist Art Christies Hong Kong
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1.    Sophie Budden, The Conservation of a Guanyin Figure, Plowden and Smith   1.  Sophie Budden 撰寫的《The Conservation of a
                     conservation report.                                         Guanyin Figure》,載於 Plowden and Smith 公司出具
                                                                                  的修復報告。
                   2.   John Larson and Rose Kerr, Guanyin, A Masterpiece Revealed (Victoria and
                     Albert Museum, 1985).  Aleth Lorne, Petra Rösch and Pauline Lunsingh   2. John Larson 及柯玫瑰合著的《Guanyin, A Masterpiece
                     Scheurleer, “The Chinese Wooden Sculpture of Guanyin. New technical and   Revealed》(V&A,1985)。Aleth Lorne、羅璧姹 (Petra
                                                                                  Rösch) 及 Pauline Lunsingh Scheurleer 合撰的《The
                     art historical insights” in Bulletin Van Het Rijksmuseum 2002/3, pp.364-389.  Chinese Wooden Sculpture of Guanyin. New technical
                   3.   Return of the Buddha: The Qingzhou Discoveries (Royal Academy of Art,   and art historical insights》,全文載於 2002/3 年度的
                     London, 2002).                                              《Bulletin Van Het Rijksmuseum》頁 364-389。
                                                                                3. 請見《Return of the Buddha: The Qingzhou
                   4.   Petra Rösch, “Colour Schemes on Wooden Guanyin Sculptures of the 11th
                     to 13th Centuries, with Special Reference to the Amsterdam Guanyin and   Discoveries》( 倫敦皇家藝術學院,2002)。
                     its Cut Gold-foil Application on a Polychrome Ground”,  in Monuments &    4. 羅璧姹撰寫的《Colour Schemes on Wooden Guanyin
                                                                                  Sculptures of the 11th to 13th Centuries, with Special
                     Sites III - The Polychromy of Antique Sculptures and the Terracotta Army of   Reference to the Amsterdam Guanyin and its Cut
                     the FIrst Chinese Emperor (ICOMOS, 2001), pp.75-83.          Gold-foil Application on a Polychrome Ground》,發
                   5.   Petra Rösch, Chinese Wood Sculptures of the 11th to 13th centuries.   表於《Monuments &  Sites III - The Polychromy of
                     Images of Water-moon Guanyin in Northern Chinese Temples and Western   Antique Sculptures and the Terracotta Army of the
                     Collections (ibidem Press, 2007), p.244.                     FIrst Chinese Emperor》頁 75-83 (ICOMOS,2001)。
                                                                                5. 羅璧姹所著《Chinese Wood Sculptures of the 11th
                   6.   Eskenazi Ltd, Ancient Chinese Sculpture from the Alsdorf Collection and   to 13th centuries. Images of Water-moon Guanyin in
                     Others, (London, 12 June – 6 July 1990), no.23.              Northern Chinese Temples and Western Collections》
                                                                                  頁 244 (ibidem Press,2007)。
                                                                                6. 埃斯肯納齊有限公司 (Eskenazi Ltd) 出版的《Ancient
                                                                                  Chinese Sculpture from the Alsdorf Collection and
                                                                                  Others》編號 23 ( 倫敦:1990 年 6 月 12 日至 7 月 6 日






















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