Page 84 - Sothebys Important Chinese Art London May 2018
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           A ‘YAOZHOU’ TRIPOD CENSER                 A censer of this type, but of slightly larger size, from the
           SONG DYNASTY                              Xiwenguo Zhao Collection, included in The Grandeur of Chinese
                                                     Art Treasures: Min Chiu Society Golden Jubilee Exhibition, Hong
           the compressed spherical body rising to a waisted neck and
           below the broad square-section everted rim, all supported on   Kong Museum of Art, Hong Kong, 2010, cat. no. 100, was sold
                                                     in our Hong Kong rooms, 5  April 2017, lot 3231; and another,
                                                                      th
           three lion-paw feet issuing from lion masks, covered overall
                                                                                         th
                                                     but with a longer neck, was sold at Christie’s New York, 5
           with a glossy olive-green crackled glaze, pooling to a darker
                                                     June 1986, lot 172. Yaozhou tripod censers of this shape are
           tone at the recessed areas at the shoulder and rim
           18 cm, 7⅛ in.                             more commonly seen decorated with various designs, such as
                                                     one moulded with confronting bird marks divided by vertical
                                                     notched ß anges on the body, in the Museum of Oriental
           PROVENANCE
                                                     Ceramics, Osaka, included in the Museum’s exhibition The
           Acquired in Hong Kong, August 1990.
                                                     Masterpieces of Yaozhou Ware, 1998, cat. no. 105; and another
           Covered with a subtle olive-green glaze and devoid of   carved with a band of double key-frets below the rim and
           decoration save for the mask-head legs, this is a rare example   scrolling lotuses on the body, illustrated in Julian Thompson,
           of Yaozhou ware from the Song dynasty. Located in the   ‘Chinese Celadons’, Arts of Asia, November-December, 1993,
           Shaanxi province, the Yaozhou kilns were inspired by Yue   p. 66, sold in these rooms, 15  December 1981, lot 135 and
                                                                        th
           celadon-glazed ware from the northern Zhejiang province from   again in our New York rooms, 7  November 2008, lot 273.
                                                                         th
           the Five Dynasties period (907-960) and gained prominence
           in the Song dynasty (960-1279) for its distinctive green-glazed   ಴ £ 60,000-80,000
           stoneware that appealed to the taste of the literati. Although   HK$ 665,000-885,000   US$ 84,500-113,000
           the majority of their output was devoted to the manufacture
           of vibrantly carved or moulded dishes and bowls, they also
           created a small number of carefully and individually crafted   ҂   ᘴψ㜺ڡཊ๿ᖕԑᘟ
           ceramics, such as the present piece.
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