Page 16 - Indian and Himalayan Art, March 15, 2017 Sotheby's NYC
P. 16

206                                               This sensuously modelled sculpture of Vajradhara demonstrates
                                                  the iconic craftsmanship and aesthetic dynamism of the Newari
PROPERTY FROM A PRIVATE NEW YORK CITY COLLECTION  atelier: the low hairline and broad forehead, the rectangular
                                                  urna adorning the square face, the aquiline nose reminiscent
A GILT-COPPER FIGURE OF VAJRADHARA                of earlier Pala imagery, the short neck and wide powerful
Nepal, circa 15th Century                         shoulders, the distinctive scarf draped high across the upper
                                                  body and looped under each elbow, and the prominent use of
Himalayan Art Resources item no. 13385.           semi-precious stone and glass lozenge inlay.
Height: 9 ½ in. (24.2 cm)
                                                  This sensuality extends to the smallest details of the sculpture,
PROVENANCE                                        as evidenced in the delicately curved ngers adorned with
Acquired privately, 28 May 1971.                  small rings, the gracefully splayed toes atop the thighs, the
                                                  curly tendrils cascading down the shoulders, and the small
ᅮ$ 100,000-150,000                              rows of beading along the girdle festoons.

                                                  The embodiment of the mind of enlightenment, Vajradhara is
                                                  the source of the Five Dhyani Buddhas which represent the

                                                   ve qualities of Buddhahood. Vajradhara is seated crosslegged
                                                  in vajraparyankasana atop a double-lotus throne; the hands
                                                  crossed in front of the chest in vajrahumkara mudra holding
                                                  a ghanta in the left hand and a vajra in the right, signifying the
                                                  union of wisdom and compassion.

                                                  The ve-pronged crown, representing the Five Dhyani
                                                  Buddhas, is inlaid with turquoise and colored glass and marked
                                                  with a makara emblem, and secured above the ears with a
                                                  streaming sash. This is surmounted by a conical helmet with

                                                   aming jewels and vajra nial and adorned with semi-precious
                                                  stones and further colored glass lozenges. Vajradhara wears
                                                  elaborate jewelry inlaid with turquoise and colored glass, with a
                                                  long sash owing under the arms and looped around the neck.

                                                  Compare a fteenth century gilt-copper Amitayus formerly in
                                                  the Philip Goldman Collection sold in these rooms, 21 March
                                                  2002, lot 55, and published in U. von Schroeder, Indo-Tibetan
                                                  Bronzes, Hong Kong, 1981, p. 357, pl. 94C.

206 (  )

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