Page 58 - Indian and Himalayan Art, March 15, 2017 Sotheby's NYC
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              A BRONZE FIGURE OF UMA
              Southern India, Chola period, 10th Century

              Height: 13 in. (33 cm)

              PROVENANCE

              Hagop Kevorkian, 26 June 1924
              The Cleveland Museum of Art, Purchase from the J. H. Wade
              Fund, 1924

              EXHIBITED

              “Medieval Indian Sculpture”, Pennsylvania Museum of Art,
              Philadelphia, late November 1927–early February 1928.

              “Bronzes of India and Greater India”, Rhode Island School of
              Design, 2–30 November 1955.
              The Cleveland Museum of Art, before 8 December 1997–9
              February 1998 and 13 March 1998–20 May 2005.

              LITERATURE

              T. S., ‘A South Indian Bronze’ in The Bulletin of the Cleveland
              Museum of Art, vol. 11, no. 8, October 1924, pp. 157–9.

              W. M. M. et al., ‘In Memoriam: Jeptha Homer Wade’, in The
              Bulletin of the Cleveland Museum of Art, vol. 13, no. 4, April
              1926, illus. p. 79.

              Bronzes of India and Greater India, Rhode Island School
              of Design exh. cat., 1955, p. 11, no. 17. [Noticed in the
              Connoisseur for April 1956, p. 220.]

              ‘The Indian Age of Bronze’ in Art Digest, November 1955,
              illus. p. 16.

              H. R. Zimmer, The Art of Indian Asia, Its Mythology and
              Transformations, vol. II, New York, 1955, pl. 415a.

              R. C. Majumdar, The History and Culture of the Indian People,
              vol. 5, Bombay, 1957, p. 672, illus. p.. LVIII, g. 131.

              W. M. Milliken, in Handbook of the Cleveland Museum of Art,
              1958, no. 760.

              The goddess standing in elegant tribhanga atop a lotus faced
              plinth, her hands in the characteristic lola hasta and kataka
              hasta mudras. She is richly ornamented with elaborately
              fashioned girdle, multiple necklaces, armbands and bracelets.
              The makara terminals of her earrings rest upon her slim
              shoulders, with oral strands emanating from their gaping
              mouths. The folds of her dhoti sway gently on either side of
              her hips, one end arranged in a long sh tail pleat against her
              inner leg. Her serene face with gently smiling lips radiates
              bene cence.

              The supple modeling of the gure and stylistic details such as
              the short conical crown and small siraschakra at the back of
              the deity’s head indicate an early Chola date for the sculpture.

              $ 150,000-250,000

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