Page 107 - Sothebys Important Chinese Art April 3 2018
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fig. 1
                                                                      Blue-ground yangcai vase, seal mark and period of Qianlong
                                                                      Gift of Barbara D. Danielson, accession no. 1980.497
                                                                      © Collection of Museum of Fine Arts, Boston






                            Several such yangcai vases with ruby-coloured ground are   publications, was sold in our London rooms, 8th/9th July
                            preserved in the National Palace Museum, Taipei: two such   1974, lot 416, and three times in these rooms, 1980, 1988, and
                            vases, both similarly inscribed with underglaze-blue Qianlong   the last time 31st October 2004, lot 131; a pair to this vase
                            seal marks reserved on a bright turquoise ground, and a wall   is also in the Palace Museum, Beijing, illustrated in Kangxi,
                            vase with a four-character mark, are included in the exhibition   Yongzheng, Qianlong. Qing Porcelain from the Palace Museum
                            Huali cai ci, op.cit., cat. nos 18, 19 and 22, all dated by Liao Pao   Collection, Hong Kong, 1989, p. 361, pl. 42; and a pair of ruby-
                            Show to 1741, others with blue enamel marks on the turquoise   ground sgraffiato vases, reputedly from the imperial collection,
                            base, attributed to 1743, cat. nos 31, 42 and 43; and for   is in the Yale University Art Gallery, one of the two vases
                            contemporary falangcai porcelains with sgraffiato decoration   illustrated in George J. Lee, Selected Far Eastern Art in the Yale
                            see cat. nos 81-87 and 91-96. A pair to one of the vases in   University Art Gallery, New Haven & London, 1970, pl. 53.
                            Taipei is in the Palace Museum, Beijing, see Geng Baochang,
                                                                      The present vase has a companion piece, identical in shape
                            ed., Gugong Bowuyuan cang gu taoci ciliao xuancui [Selection
                                                                      and design, but enamelled against a bright blue sgraffiato
                            of ancient ceramic material from the Palace Museum], Beijing   ground, with a red rim band, in the Museum of Fine Arts,
                            2005, vol. 2, pl. 204; and another vase similar to a pair in
                                                                      Boston, from the collection of Barbara D. Denielson (acq.
                            Taipei is in the Capital Museum, Beijing, see Shoudu Bowuguan
                                                                      no. 1980.497) (fig. 1). The ruby-red and blue enamels were
                            cang ci xuan [Selection of porcelains from the Capital
                                                                      occasionally also used together, for the two halves of double
                            Museum], Beijing, 1991, pl. 155.
                                                                      vases, for example, on a piece in the Palace Museum, Beijing,
                            Outside the Museums in Taipei and Beijing, yangcai vases with   also decorated with stylised flower scrolls on a sgraffiato
                            ruby-red sgraffiato designs are exceedingly rare. One meiping   ground, illustrated ibid., p. 378, pl. 59.
                            vase decorated with floral scrolls on a ruby sgraffiato ground,
                                                                      The shape, known as danping, ‘gall bladder vase’, is equally
                            from the collections of Alfred Morrison and Lord Margadale
                                                                      characteristic of the yangcai porcelain production in the early
                            of Islay, part of the Fonthill Heirlooms and later the collection
                                                                      1740s; examples with different designs in the National Palace
                            of Roger Lam, which featured in numerous exhibitions and
                                                                      Museum are illustrated in Huali cai ci, op.cit., cat. nos 45-47.






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