Page 76 - Sothebys Important Chinese Art April 3 2018
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With its white reserve decoration on a cobalt-blue ground,   version are covered with an even, dark cobalt-blue coloured
           this pattern would seem to be ultimately based on prototypes   glaze, the Wanli example has the ground painted in underglaze
           of the Xuande period with a single flower spray in the centre,   cobalt blue, and on the present dish the pigment was blown
           such as a dish in the National Palace Museum, Taipei, included   onto the vessel through a tube covered with gauze, which
           in the Museum’s exhibition Mingdai Xuande guanyao jinghua   produced this finely speckled powder-blue effect.
           tezhan tulu/Catalogue of the Special Exhibition of Selected
                                                     A similar dish in the Metropolitan Museum of Art, New
           Hsüan-te Imperial Porcelains of the Ming Dynasty, Taipei, 1998,
                                                     York, is illustrated in Suzanne G. Valenstein, A Handbook of
           pl. 193. A somewhat closer design was developed in the Wanli
                                                     Chinese Ceramics, New York, 1989, pl. 248. The Meiyintang
           reign, with four flowers in the centre, for example, on a dish
                                                     collection contains also a blue and white dish, together with
           in the Palace Museum, Beijing, illustrated in The Complete
                                                     a bowl, decorated in the same technique, and a similar dish
           Collection of Treasures of the Palace Museum. Blue and White
                                                     with the design coloured in yellow, see Regina Krahl, Chinese
           Porcelain with Underglazed Red, Shanghai, 2000, vol. 2, pl. 195.
                                                     Ceramics from the Meiyintang Collection, London, 1994-
           The early Ming design was also copied more closely in the   2010, vol. 2, nos 843, 842 and 844; the Meiyintang dish,
           Yongzheng period, as can be seen on a dish in the Shanghai   formerly in the collections of Edward G. Kennedy and Edward
           Museum illustrated in Lu Minghua, Mingdai guanyao ciqi [Ming   Kennedy Torrington, was acquired at Christie’s New York, 2nd
           imperial porcelain], Shanghai, 2007, pl. 5-33. Whereas both   December 1989, lot 370, and sold in these rooms, 7th April
           the Xuande prototype and the Shanghai Museum Yongzheng   2011, lot 75.























































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