Page 62 - Contenporary Ink Chinese Painting Nov 27 2017 Hong Kong
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A NEW GENERATION                                                    His lines emulate the texture of mountains, water and trees
                                                                        with lines swirling across the composition, as if the landscape
    The following fifteen ink paintings are presented together not      is constantly growing in front of the viewers.
    because they share a uniform artistic style or subject matter,
    but because the artists behind these works are the emerging         New ink art movements have been born in Hong Kong
    power of the category – young and born after 1970, they offer       independent of that in Mainland China since the 1960s. Artists
    new ways of thinking about Chinese ink painting as a dynamic        such as Eric Ho Kay-nam (Lot 856) studied fine art and design
    form of visual expression full of possibilities.                    in Canada, and his works depict the cityscape of Hong Kong
                                                                        that Ho grew up in. Chui Pui Chee (Lot 855) is trained at the
    When Chinese contemporary ink first emerged as an                   Chinese University of Hong Kong before furthering his study
    independent artistic category, much focus was cast on the           in calligraphy at the China Academy of Art. As the title of the
    generation of artists directly impacted by the history and          painting suggests, his work humorously references the local
    politics of China in the 1960s and 1970s. After China opened        contemporary culture, particularly Cantonese pop music in the
    its door in 1979 many of these artists went to Europe and           early 1990s.
    the United States, using ink and brush while embracing
    the art and philosophies from the West. The result has
    been a unique burst of creativity that sharply contrasts with
    20th century ink painting that still dominates in Mainland
    China today. The thirteen artists featured here come from
    Mainland China and Hong Kong, with diverse backgrounds
    in terms of training and education that influence their career
    trajectories in different ways.

    As the capital city, Beijing has historically attracted talented
    artists. Born in 1974, Peng Wei moved to Beijing in 2000
    after graduating from Nankai University. Influenced by her
    artist father Peng Xiancheng, Peng Wei quickly found her
    own artistic vocabulary and established herself as one of
    the most significant ink artists of her generation. In her
    Beautiful Brocade series (Lots 843, 844), Peng reconnects
    with tradition by using antique brocade and silk embroidery,
    yet her contemporary interpretation allows her to build an
    ever-changing relationship with her own past. The Central
    Academy of Fine Arts, one of the most prestigious in China,
    also produces many distinguished young ink artists such as
    Tan Jun (Lot 857) and Guo Hui (Lot 853).

    Gao Qian (Lot 847, 886), Shen Ning (Lot 854), and Zhou
    Xue (Lot 848) are part of the new fine brush (xin gong bi)
    movement active in Nanjing. The ancient capital has provided
    fertile ground for a generation of young artists who excelled
    in fine brush painterly skills but are also bold to incorporate
    contemporary elements. Zhu Xiaoqing (Lot 845), from Suzhou,
    offers a refined reworking of the landscape tradition.

    Peng Jian (Lot 850), a native of Hunan, graduated from the ink
    painting department at the China Academy of Art in Hangzhou,
    where he currently lives. Peng is fascinated by the grids and
    lines as an abstract division of space. In Limit No.3, Peng’s grid
    takes form of a meticulously painted mosquito net, offering
    an obstructed view of the city through the window. Zeng
    Guoqing (Lot 852), on the other hand, studied printmaking
    and incorporated this visual language in his ink painting of
    cityscapes.

    Contemporary ink art is also about experimenting with media.
    Chu Chu (Lot 846) from Hangzhou is trained in multimedia,
    oil painting and calligraphy. A student of Wang Dongling,
    Chu combines cursive calligraphy and her black and white
    photography to form her imagery. Lin Guocheng (Lot 851), who
    studied at the Sichuan Academy of Fine Art, moved to Beijing
    and uses both a pen and ink brush to create complex, dreamlike
    landscapes. Inspired by early modern European sketches,
    Lin uses pen to draw lines that formulate his landscape.

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