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82             82
               AN ILLUSTRATION TO A BHAGAVATA PURANA
83             SERIES: KRISHNA, BALARAMA AND
               THE SAGES IN THE FOREST
124 | BONHAMS  Delhi, circa 1520-30
               Opaque watercolor on paper; recto with three lines
               of devanagari.
               6 3/4 x 9 in. (17 x 22.9 cm)
               $10,000 - 15,000

               This painting comes from the most important
               pre-Mughal Hindu manuscript: the earliest known
               version of an illustrated Bhagavata Purana. It
               illustrates book 10, chapter 84, verses 1-5, wherein
               Krishna and Balarama are greeted by a host of
               sages, kings, and adoring royal wives gathered in
               the forest of Kurukshetra.

               ‘Forms and gestures are simple, angular, and clear,
               and are set against solid color backgrounds that are
               chosen for visual, not descriptive, effectiveness...
               The narrative is all important, and consequently
               the scenes have immediate impact; their strongest
               effect comes with the first encounter.’
               - M.C. Beach, The Imperial Image,
               Washington, 1981, p. 48.

               Provenance
               Sotheby’s, London, 24 April 1996, lot 17
               Private Collection, London
               Bonhams, New York, 18 March 2013, lot 68

               83
               AN ILLUSTRATION FROM
               A RASIKAPRIYA SERIES
               Orchha, 1634
               Opaque watercolor on paper.
               Image: 4 1/4 x 5 3/8 in. (10.7 x 13.7 cm);
               Folio: 8 x 6 3/8 in. (20.4 x 16.2 cm)
               $3,000 - 5,000

               A distressed Radha is fanned by her confidante
               while offering words of solace over Krishna’s
               absence. The red background of the empty
               bedchamber, which had been prepared for her lover,
               amplifies the intensity of Radha’s rejection. Even the
               monkey escapes the scene by leaping onto the roof.

               Many of the leaves from this series, dated 1634, are
               in the National Museum, New Delhi, while others
               are in the Victoria and Albert Museum, London and
               American museums. An almost identical composition,
               except that the positions of the two women is
               swapped, is in the Brooklyn Museum of Art (Poster,
               Realms of Heroism, 1990, p. 186, no. 141). For other
               examples see: Archer & Binney, Rajput Miniatures
               from the Collection of Edwin Binney 3rd, Portland,
               1968, no. 40; Lee, Rajput Painting, New York, 1960,
               no. 5(D); Czuma, Indian Art from the Collection of
               George Bickford, Cleveland, 1975, no. 68. Two from
               the Pal Collection sold at Christie’s, New York, 20
               March 2008, lot 237.

               Provenance
               Sotheby’s, New York, 25 March 1987, lot 49
               Private Collection, New York
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