Page 46 - Sotheby's Asian Art PARIS, December 10, 2019
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           QUATRE FEUILLES DE L’ALBUM IMPÉRIAL DES   The Huang Qing Zhigong tu is a monumental compilation
           MINORITÉS “ZHIGONG TU”, VOL. VI (ZHIGONG   in pictures and text on the historical backgrounds,
           TU LIU CE)                                geographical locations, products, dining habits, costume
                                                     designs and local customs of the 27 countries which held
           DYNASTIE QING, EPOQUE QIANLONG, CA. 1750-1761
                                                     diplomatic relations with the Qing court under the Kangxi
           encre et couleurs sur soie, l’une représentant un   emperor. Compiled between 1750 and 1761, it comprised
           homme issu d’un groupe de minorités, avec un titre   three parts and included the illustrated volumes, the
           et une inscription en chinois à droite, les trois autres   written volumes and the printed volumes.
           représentant chacune une femme  issue de différents   The illustrated part was originally conceived as three
           groupes de minorités, avec un titre en chinois et en   sets of handcrolls (juan) and album leaves executed by
           manchu à droite, et avec une inscription en manchu à   imperial court painters. While two handscrolls are in the
           gauche (4)                                Palace Museum, Beijing, and in the National Palace, Taipei,
           chaque feuille 32,3 x 30,3 cm, each leaf 12⅝ by 12 in.  only three incomplete albums of the Huang Qing Zhigong
           Four leaves from the Imperial Album of Minorities “Zhigong tu”,   tu are known to this date. All three of these albums were
           Vol. VI (Zhigong tu liu ce)               discovered in France, the first comprising 52 leaves from
                                                     the sixth volume of illustrations from the Zhigong tu was
           Qing Dynasty, Qianlong Period, ca. 1750-1761
                                                     offered in Sotheby’s Hong Kong, 8th October 2006, lot
           Ink and colour on silk, illustrating one man and three women   1103; the second, comprising 36 leaves from the first
           from 4 of the 58 minority groups in Gansu and Sichuan  volume of illustrations from the Zhigong tu, sold with
                                                     Joron-Derem, Paris, 14th December 2016, lot 376; the third
           20 000-30 000 €                           comprising 26 leaves from the fourth album of illustrations
           175 000-262 000 HK$    22 300-33 400 US$      from the Zhigong tu, sold with  Marc Labarbe, 18th June
                                                     2016.
           清乾隆 御製「職貢圖」冊六 設色絹本 四幀
                                                     The four illustrations in the present lot are painted on silk,
                                                     and mounted on paper and silk. Each leaf depicts a single
                                                     figure including three women and a man accompanied by
                                                     an inscription in either Chinese or Manchu. The complete
                                                     printed part of the Zhigong tu allows us to attribute these
                                                     four leaves to volume six of the Zhigong tu (Zhigong tu
                                                     liu ce) which relates to the third juan of the handscroll
                                                     in the Palace Museum, Beijing. The particular subject
                                                     of this scroll is devoted to the minority tribes of Gansu
                                                     and Sichuan and contains a total of 58 illustrations
                                                     corresponding to the 58 minority tribes. The album of
                                                     illustrations offered in 2006 in Sotheby’s Hong Kong is the
                                                     incomplete volume six (Zhigong tu liu ce) and contains 52
                                                     pages depicting figures from the minority tribes of Gansu
                                                     and Sichuan. As the album offered in Sotheby’s Hong Kong
                                                     was incomplete comprising 20 double pages featuring a
                                                     man and a woman from 20 tribes and a further 12 pages
                                                     revealing either a man or a woman, we can assume that the
                                                     four album leaves offered here are among the missing eight
                                                     illustrations from the same album.
                                                     These four illustrations from Zhigong tu liu ce are a rare
                                                     and important discovery. As noted by Nie Chongzheng in
                                                     his introduction to the album offered in Sotheby’s Hong
                                                     Kong in 2006, ‘the French album (Zhigong tu liu ce) (from
                                                     which these four illustrations are taken) is invaluable as it
                                                     is the earliest known edition: the production of the Tibutes
                                                     first commenced in the Sichuan Province. In the 8th
                                                     month of Qianlong 15th year (1750), the emperor ordered
                                                     the Sichuan governor-general to submit descriptive
                                                     drawings of certain tribes of his land. Once received, the
                                                     emperor had these illustrations processed, edited, and
                                                     a standardized format was generated. In the 6th month
                                                     of Qianlong 16th year (1751), this project expanded into
                                                     a nationwide scale’, see Nie Chongzheng,’Tributes to the
                                                     Imperial Qing’, in Sotheby’s Hong Kong, 8th October 2006,
                                                     pp. 198-199.







           44      ARTS D’ASIE
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