Page 194 - Bonhams, The H Collection, Classical Chinese Furniture, May 13, 2021 London
P. 194

55
           ANONYMOUS
           Chrysanthemums Beside a Brushwood Fence,
           River, and Pine Tree, Edo Period (1615-1868),
           circa 1700
           A six-panel folding screen painted in ink, mineral
           pigments, gofun (calcified crushed shell) and
           gold on paper applied with gold leaf, depicting
           chrysanthemums rendered in the moriage relief
           technique growing behind a brushwood fence
           beside a flowing river and pine tree partially hidden
           in gold clouds; unsigned.
           380cm (149 1/2in) long x 168cm (66 1/8in) high.

           £20,000 - 30,000
           CNY180,000 - 270,000

           日本江戶時代,約1700年 河畔東籬菊 紙本設色 金
           箔地六折屏風

           Provenance:
           Liza Hyde, New York
           An important European private collection

           來源:
           紐約Liza Hyde舊藏
           歐洲重要私人收藏

           This bold composition was created for the interior
           of a castle or perhaps a daimyo mansion in the new
           samurai city of Edo, in a tradition stretching back to
           the sixteenth century when screen pairs or screens
           like this were first ordered by leading warlords. It
           was painted using luxurious materials, with rich
           applications of crushed mineral pigments such as
           gunjo (blue) and rokusho (green) and extravagant
           passages of gofun (calcified and crushed clam
           shell powder) on a support of gold leaf on paper.
           Unfolded at night in a large formal space, a screen
           like this would have reflected the light of many
           candles or lanterns, casting a golden glow over the
           room and its occupants.

           In keeping with the Confucian ethos of the ruling
           military elite, the composition—almost certainly
           the work of the official Kano painting academy—
           combines the rugged majesty of a mature pine
           (a Kano staple) with a Chinese poetic theme: the
           ‘Chrysanthemums by the East Fence’ beloved of
           the poet Tao Qian (Tao Yuanming, 365-427), who
           retired mid-career to the classic Chinese scholar-
           hermit’s life of obscurity, drinking, and versification.
           The chrysanthemum patch that he nurtured by
           the eastern fence of his estate was depicted in
           Chinese painting as early as the thirteenth century
           and the theme probably reached Japan around
           that time, a peak period for cultural exchange with
           the Asian mainland.









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