Page 32 - Sotheby's May 14, 2019 Fine Japanese Art. London
P. 32

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           KITAGAWA UTAMARO I (1750S–1806)   KITAGAWA UTAMARO I (1750S–1806)   FROM A FRENCH COLLECTION FORMED IN THE
           VISITING KOMACHI (KAYOI          EMOTIONAL TURMOIL FOR WANKYU      19TH CENTURY
           KOMACHI)                         AND MATSUYAMA (WANKYU             KITAGAWA UTAMARO I (1750S–1806)
           EDO PERIOD, 19 TH  CENTURY       MATSUYAMA NO SEIRAN)              OKITA OF THE NANIWA-YA
                                            EDO PERIOD, LATE 18 TH  CENTURY   TEAHOUSE
           初代 喜多川歌麿(1750年頃−1806)、二
           葉草七小町 かよひ小町、江戸時代、19世紀            初代 喜多川歌麿(1750年頃−1806)、            EDO PERIOD, 18 TH  CENTURY
                                            逢身八契 椀久松山の情乱、江戸時代、18              初代 喜多川歌麿(1750年頃−1806)、
           woodblock print, from the series Little
           Seedlings: Seven Komachi (Futaba-gusa   世紀後期                       難波屋おきた、江戸時代、18世紀
           nana Komachi), signed Utamaro hitsu,   woodblock print, from the series Eight   woodblock print, signed Utamaro hitsu, published
           published by Tsuruya Kiemon (Senkakudo),   Pledges at Lovers’ Meetings (Omi hakkei),   Tsutaya Juzaburo (Tsutaju), circa 1790s
           circa 1803                       signed Utamaro hitsu, published by Omiya
           vertical oban:                   Gonkuro, circa 1795               vertical oban:
                                                                              36.5 x 23.7 cm., 14⅜ x 9⅛ in.
           36 x 25 cm., 14⅛ x 9⅞ in.        vertical oban:
           For an impression in the Museum of Fine Arts,   37.5 x 24 cm., 14¾ x 9½ in.   Okita, one of the three famed Edo “Beauties” of
                                                                              the late eighteenth century, was a waitress in the
           Boston, accession number 34.262, go to:   For an impression in the collection of the   Naniwa-ya teahouse near Asakusa Temple in the
           www.mfa.org                      Museum of Fine Arts, Boston, accession   city of Edo (present Tokyo).
                                            number 21.6484, go to: https://www.mfa.
           £ 2,000-3,000                    org/collections/search            Utamaro also included a cartouche in the shape of
           € 2,350-3,550   US$ 2,650-4,000                                    a poem card in the upper left portion of the print
                                            £ 2,000-3,000                     with a poem by Katsura-no-Mayuzumi that further
                                            € 2,350-3,550   US$ 2,650-4,000     confirms the allure of Okita: Naniwaya no naniou
                                                                              yado wa yukikai ni ashi no ukaranu hito mo arajina.
                                                                              [There is no passerby who does not feel his feet
                                                                              light, passing in front of the famous house called
                                                                              Naniwaya.]
                                                                              For an impression in the Metropolitan Museum of
                                                                              Art, New York, accession number JP1668, go to:
                                                                              https://www.metmuseum.org/art/collection
                                                                              £ 30,000-50,000
                                                                              € 35,300-59,000   US$ 39,700-66,500
           30      Buyers are liable to pay both the hammer price (as estimated above) and the buyer’s premium together with any applicable taxes and Artist’s Resale Right (which will depend on the individual circumstanc-
                   es). Refer to the Buying at Auction and VAT sections at the back of this catalogue for further information.
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