Page 20 - CHRISTIE'S Chinese Ceramics & Works of Art 09/14 - 15 / 17
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PROPERTY FROM A PRIVATE AMERICAN COLLECTION 商晚期 安陽 亞矣方鼎
907 來源
韓克均舊藏 (1766-1840)。
THE YA YI FANGDING 吳式芬舊藏(1796-1856)。
奈良寧樂美術館舊藏,入藏於1961年以前。
A HIGHLY IMPORTANT AND RARE BRONZE RECTANGULAR 巴黎佳士得,2002年11月26日,拍品200號。
RITUAL FOOD VESSEL, FANGDING Gisèle Croës,布魯塞爾,2003年。
LATE SHANG DYNASTY, ANYANG, 13TH-11TH CENTURY BC 展覽
紐約,Gisèle Croës,《Outstanding Bronze from Dian Kingdom and
The vessel is raised on four columnar legs surmounted by animal masks Early Chinese Vessels》,2003年3月24日至4月2日。
centered by fanges positioned beneath the fanges at the corners of the vessel 文獻
above. Each side of the rectangular body is well cast with a large taotie mask 吳榮光,《筠清館金文》,1842年,第4卷,第9至10頁。
below a band of confronted birds, all centered by vertical fanges and reserved 吳式芬,《攗古錄金文》,1895,卷1之1,第20頁。
on a leiwen ground. A two-character inscription, Ya yi, is cast on an interior wall 吳式芬,《攗古錄》,卷1,第7頁。
below the pair of handles that rise from the rim. The bronze has a mottled pale 朱善旂,《敬吾心室彝器款識》,1908,卷1,第36頁。
green patina. 方濬益,《綴遺齋彝器款識考釋》,1935年,卷5,第30頁。
劉體智,《小校經閣金文拓本》,1935年,卷2,第6頁。
11 in. (28.2 cm.) high 王辰,《續殷文存》,1935年,卷1,第5頁。
羅振玉,《三代吉金文存》,1937年,卷2,第7頁。
$2,000,000-3,000,000 曾毅公,《山東金文集存》,1940年,第7頁。
梅原末治,《日本蒐儲支那古銅精華》,卷3,大阪,1961年,編號195。
PROVENANCE 巴納、張光裕,《中日歐美澳紐所見所拓所摹金文彙編》,1978年,編號1035。
嚴一萍,《金文總集》,台北,1983年,編號162。
Collection of Han Kejun (1766-1840). 《殷周金文集成》,中國社會科學院考古研究所,北京,1984年,編號1432。
Collection of Wu Shifen (1796-1856). 《Orientations》,2003年3月,第107頁。
Neiraku Museum, Nara, prior to 1961. The International Asian Art Fair,《CANS藝術新聞》,2003年3月,編號63,第46頁。
Christie’s Paris, 26 Nov 2002, lot 200. 王獻唐,《國史金石志稿》,青島,2004年,編號1903。
Gisèle Croës, Brussels, 2003. 山東省博物館,《山東金文集成》,濟南,2007年,編號114。
吳鎮烽,《商周青銅器銘文暨圖像集成》,上海,2012,卷1,第445頁,編號562。
EXHIBITED
(inscription)
New York, Gisèle Croës, Outstanding Bronze from Dian Kingdom and Early
Chinese Vessels, 24 March-2 April 2003.
LITERATURE
Wu Rongguang, Yunqingguan jinwen (Bronze Inscriptions in the Yunqingguan
studio), 1842, vol. 4, pp. 9-10.
Wu Shifen, Meigu lu jinwen (The Record of Pursuing Antiquity: Archaic Bronze
Inscriptions), published posthumously in 1895, vol. 1.1, p. 20.
Wu Shifen, Meigu lu (The Record of Pursuing Antiquity), vol. 1, p. 7.
Zhu Shanqi, Jingwuxinshi yiqi kuanzhi (Archaic Bronze Inscriptions in the
Jingwuxinshi Studio), 1908, vol. 1, p. 36.
Fang Junyi, Zhuiyizhai yiqikuanzhi kaoshi (Interpretations of inscriptions from
archaic bronzes in the Zhuiyizhai studio), 1935, vol. 5, p. 30.
Liu Tizhi, Xiaojiaojinge jinwen taben (Rubbings of Archaic Bronze Inscriptions
at the Xiaojiaojingge Studio), 1935, vol. 2, p. 6.
Wang Chen, Xu Yinwencun (Continuation of the Surviving Writings from the
Yin Dynasty), 1935, vol. 1, p. 5.
Luo Zhenyu, Sandai jijin wencun (Surviving Writings from the Xia, Shang, and
Zhou Dynasties), 1937, vol. 2, p. 7.
Zeng Yigong, Shandong jinwen jicun (Bronze Inscriptions from Shandong),
1940, p. 7.
Sueji Umehara, Nihon shucho shina kodo seika (Selected Relics of Ancient
Chinese Bronzes from Collections in Japan), vol. 3, Osaka, Yamanaka & Co.,
1961, no. 195.
Noel Barnard and Cheung Kwong-Yue, Rubbings and Hand Copies of Bronze
Inscriptions in Chinese, Japanese, European, American, and Australasian
Collections, Taipei, 1978, no. 1035.
Yan Yiping, Jinwen Zongji (Corpus of Bronze Inscriptions), Taipei, 1983, no. 162.
Yinzhou jinwen jicheng (Compendium of Yin and Zhou Bronze Inscriptions),
The Institute of Archaeology, Chinese Academy of Social Sciences, Beijing,
1984, no. 1432.
Orientations, March 2003, p. 107.
The International Asian Art Fair, CANS Chinese Art News, March 2003,
no. 63, p. 46.
Wang Xiantang, Guoshi jinshi zhigao (A Record of Bronze and Stone
Inscriptions in Chinese History), Qingdao, 2004, no. 1903.
Shandong Provincial Museum, Shandong jinwen jicheng (Compendium of
Bronze Inscriptions from Shandong), Jinan, 2007, no. 114.
Wu Zhenfeng, Shangzhou qingtongqi mingwen ji tuxiang jicheng (Compendium
of Inscriptions and Images of Bronzes from the Shang and Zhou Dynasties),
Shanghai, 2012, vol. 1, p. 445, no. 562.
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