Page 58 - Chinese Decorative Arts: The Metropolitan Museum of Art Bulletin, v. 55, no. 1 (Summer, 1997)
P. 58

Ink cake  with Thousand- Year

                            Motf
                    Fungus
          ....................................................................................
                        the
             Manufactured  shop ofcheng Junfang        with each needle cluster   the Wanli   The date
                      by
                                              perspective,               forming         era).      corresponds  to  I620.
                      (1541-ca. 1620)         a radial motif. Such a  pictorial  device for cre-   Cheng  held a minor  position  in the Court  of
                            dated 1620
                   Ming dynasty,              ating  a more three-dimensional  image,  how-   State  Ceremony  in the  imperial capital, Beijing,
                   Diam.  41/2  in.  (11.4  cm)   ever,  achieves  quite  a different  effect in this   for a short  time  in his  early  fifties. His ink  cakes,
                     Rogers  Fund,  1929      medium  than  it would in  painting.  The  preci-   valued for their fine  quality  and  elegant designs,
                        30.76.196             sion of details and the linear  approach  to mold   might  have been further  promoted by  the
                                                           a
                                              carving  produced  crisp image  characterized   friendships  he formed with court officials
              his round cake is adorned with an aus-   by repetition  of linear  patterns.  The title of   during  those  years.
                                                                                               motif was included in
              picious subject,  qiansui ling,  the thousand-  the relief  design,  written  in  running  script,  is   This  particular   Fang's
          year-old fungus.  Shown  growing  on a hill   molded in  intaglio  in a cartouche on the other   Fangshi  Mopu,  thus  raising questions  about the
          among  herbaceous  plants  between rocks  with   side of the ink cake.   exclusiveness of   design templates  between
          angular  outlines,  the  fungi  stand  in the shade   On the vertical  edge  is molded an  inscrip-   the rival  shops  and  suggesting  that there was
                                                                                                 of
          of a twisted old  pine.  The tree's needles are   tion of  eleven minuscule characters: Wanli   some  appropriation  designs  between their
          depicted  in two different  ways.  Whereas most   gengshen  nian chen  ChengJunfangjianjhi  (man-   repertoires.   WAS
          of them are shown from the  side,  a branch in   ufactured under  supervision  of humble ser-
          the center  of the  canopy  is rendered  in frontal  vant  Cheng Junfang  in the  gengshen  year  of
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