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833 A DING-TYPE EWER                                       晚唐 Նջǭ十世紀ǭ定窯系白釉執壺
                LATE TANG-FIVE DYNASTIES PERIOD, 10TH CENTURY
                The ewer has a globular body with a waisted neck and a wide,   Ϝ源
                                                                     紐約蘇富比
     年  月 日
 拍品編號
                flaring mouth, and is raised on a slightly splayed foot. The rounded
                shoulder is incised with a double-line band interrupted by a    3PCFSU 'FSSJT Ⅷ藏
 ד蒙特州溫莎
                short upright spout opposite a double-stranded arching handle.    藍理捷
 紐約
    年
                The ewer is covered overall with a glossy, pale-bluish-tinged   美國☆՞Ⅷ藏
          年
                                                                     藍理捷
 紐約
 編號
                translucent glaze.
                5¬ in. (14.3 cm.) high, cloth box                    展覽
                                                                     紐約
 藍理捷
 「#SVTI   $MBZ  1BJOUJOHT CZ 3PCFSU 'FSSJT
                $12,000-15,000                                       BOE $IJOFTF $FSBNJDT PG UIF 4POH %ZOBTUZ GSPN UIF "SUJTU T
                                                                     $PMMFDUJPO」
     年 月  日   月  日
 編號
                PROVENANCE:
                Sotheby's New York, 7 December 1983, lot 220.        ֨ḛ
                Robert Ferris Collection, Windsor, Vermont.          藍理捷
 《#SVTI   $MBZ  1BJOUJOHT CZ 3PCFSU 'FSSJT BOE $IJOFTF
                J. J. Lally & Co., New York,1997.                    $FSBNJDT PG UIF 4POH %ZOBTUZ GSPN UIF "SUJTU T $PMMFDUJPO》
 紐
                Private American collection, 1997-2019.              約
     年
 編號
                J. J. Lally & Co., New York, no. 4904.
                EXHIBITED:
                New York, J. J. Lally & Co., Brush & Clay: Paintings by Robert Ferris
                and Chinese Ceramics of the Song Dynasty from the Artist's Collection,
                19 September-18 October 1997, no. 22.
                LITERATURE:
                J. J. Lally & Co., Brush & Clay: Paintings by Robert Ferris and Chinese
                Ceramics of the Song Dynasty from the Artist's Collection, New York,
                1997, no. 22.

                The ovoid form of this ewer, the arching double-stranded handle,
                and the straight spout are strongly reminiscent of late Tang white
                wares, such as the ewer from the Florence and Herbert Irving
                Collection, sold at Christie's New York, 21 March 2019, lot 1230.
                However, the refined potting, the high ring foot, and the very
                high-fired porcelaneous body all illustrate a transition to the style
                of the Five Dynasties period.

                A similar white porcelain ewer from the tomb of Qian Kuan
                (buried AD 900) in Lin’an, Zhejiang province, is illustrated in the
                excavation report Wan Tang Qian Kuan fufu mu (The Qian Kuan
                Couple Tombs in Late Tang), Beijing, 2012, col. pl. 10, with a line
 832  A GLAZED WHITE PORCELAIN JAR  Նջ 北宋ǭ十至十Հ世紀ǭ白釉罐  drawing on p. 29, ill. 3-28.
 FIVE DYNASTIES-NORTHERN SONG DYNASTY,
 10TH-12TH CENTURY  See, also, the similar white porcelain ewer of smaller size in the
                Shanghai Museum, illustrated in Zhongguo gudai baici guoji xueshu
 The jar is of ovoid form with a wide mouth and flanged rim,    Ϝ源   yantaohui lunwenji (Symposium on Ancient Chinese White Porcelain
 and is decorated with a pair of incised lines on the steeply rounded   3PHFS ,FWFSOF
 倫敦
     年   Proceedings), Shanghai, 2005, p. 685, col. pl. 19.
 shoulders. It is covered overall with a clear glaze applied over    歐洲☆՞Ⅷ藏
 white slip, with a pool of dark iron-brown glaze in the center of    藍理捷
 紐約
 編號
 the interior.
 4¿ in. (10.5 cm.) high, cloth box
 $6,000-8,000
 PROVENANCE:
 Roger Keverne, London, 2015.
 Private European collection.
 J. J. Lally & Co., New York, no. 4851.
 Compare the Ding covered jar of very similar form, also
 decorated with pairs of incised lines, found in 1969 in the
 underground foundation vault of the Jingzhongyuan Pagoda,
 dated to AD 995, in Dingzhou city, Hebei province, illustrated
 in Zhongguo chutu ciqi quanji (Complete Collection of Ceramic
 Art Unearthed in China), vol. 3, Hebei, Beijing, 2008, p. 113,
 no. 113.


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