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16.  A PAR CEL -GILT BR ONZE IN CENSE BURNER
                 Mark and Period of Hongwu (1368-1398)

                 of quadrilobed form heavily cast in high relief with boys in long-sleeved robes standing on stylized
                 clouds accompanied by flying cranes in barrel-rounded oval panels framed by foliate scroll
                 surrounds also in high relief below a narrow beaded collar and a running band of cloud motifs
                 under the thick everted rim of the wide circular mouth decorated on the outer edge with archaic
                 style leiwen and flanked by a pair of smiling boys standing on the shoulder and holding onto the lip
                 to serve as handles, all raised on four short legs each emerging from the jaws of a horned lion
                 head, the decoration all fire-gilt and raised above a smooth background of rich dark brown color
                 showing scattered remains of cold-painted gilding, the gently rounded base cast with a six character
                 reign mark of Hongwu in a reserved rectangle.

                 Width across handles 8 ⁄8 inches (21.2 cm)
                                       3
                 Height 6 inches (15.3 cm)
                 Weight 2869g

                 Provenance   Sydney L. Moss Ltd., London, 1976
                              Collection of Dr. Peter H. Plesch (1918-2013)
                              Shuisongshi Shanfang Collection
                 Published     Watson, ‘Categories of Post-Yuan Decorative Bronzes,’ Transactions of the Oriental
                              Ceramic Society, 1981-1982, Vol. 46, p. 25 (not illustrated)

                 No other Hongwu marked gilt-bronze censer of this rare design is known, but one other unmarked bronze censer of very
                 similar quardrilobed form raised on four lion mask-and-paw supports and decorated in high relief with boys flanking
                 indecipherable Tibetan characters or Daoist glyphs within foliate scroll frames was sold at Christie’s Hong Kong, 2 November
                 1999, lot 781, attributed to the Yuan dynasty.
                 A carved jade group of two boys flanking a cong shape vessel is published by Watt, Chinese Jades from Han to Ch’ing, New
                 York, 1980, p. 163, no. 136, attributed to Yuan – Ming (13th – 15th centuries A.D.).
                 Compare the carved jade bowl with a pair of female angels standing on clouds and holding on to the rim to serve as handles
                 in the Palace Museum, Beijing, illustrated by Yang (ed.), Zhongguo yuqi quanji (Compendium of Chinese Jades), Vol. 5, Sui,
                 Tang to Ming Dynasties, Shijiazhuang, 1993, p. 120, no. 181, attributed to Yuan dynasty. Another carved jade bowl very
                 similar to the example in the Palace Museum, Beijing is in the collection of the Cleveland Museum of Art, illustrated by Lee
                 and Ho, Chinese Art Under the Mongols: The Yüan Dynasty (1279-1368), Cleveland, 1968, no. 298, attributed to Yuan dynasty.

                 明洪武 灑金銅仙童四足爐 寬 21.2 厘米 高 15.3 厘米
                     「大明洪武年製」款
                     爐重 2869g

                 來源 倫敦 Sydney L. Moss Ltd., 1976 年
                    Dr. Peter H. Plesch (1918-2013) 舊藏
                    水松石山房藏

                 出版 Watson,‘Categories of Post-Yuan Decorative Bronzes’
                    倫敦〈東方陶瓷學會年刊〉1981-1982,46 期,第 25 頁 ( 無圖 )
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