Page 192 - Sotheby's NYC September 20 2022 Forging An Empire Bronzes

his bronze hu is a magnificent example of the flamboyant style of bronze vessels that
gained immense popularity in the Eastern Zhou period. The intricate pattern on this piece
Tis extraordinary, showcasing the virtuosity of the casters of the time. Although many of
the bronze forms originated in the Shang dynasty, starting from the Spring and Autumn period, shapes
became more complex and designs more extravagant. More impressive and creative vessels were
produced to suit the various demands of the lavish lifestyle of the nobility. In design and ornamentation,
this hu recalls vessels created at the Jin State Foundry in Houma, Shanxi province.

Vessels decorated in this ambitious and opulent style are exceedingly rare. Compare a closely related
bronze hu with a very similar design, together with an inscribed cover decorated with large outward-
flaring lappets, from the collection of A.E.K. Cull, published in Rong Geng, Shangzhou yiqi tongkao / The
Bronzes of Shang and Chou, vol. II, Beiping, 1941, pl. 743, and again in William Watson, Ancient Chinese
Bronzes, London, 1962, pl. 55. Another close example is an impressive hu vessel from the Freer Gallery of
Art, Washington, D.C., illustrated in George W. Wener, Jr., The Ornaments of Late Chou Bronzes. A Method
of Analysis, New Jersey, 1973, pl. 76. See also a covered example of a slightly compressed form, sold at
Christie’s Hong Kong, 30th October 2001, lot 762.

A pair of copper-inlaid bronze hu, each cast with a very similar design of interwound dragons and
taotie masks but divided by narrow bands of raised animal motifs instead of braided ropes, in the
Shanghai Museum, Shanghai, is illustrated in Chen Peifen, Xiashangzhou qingtongqi yanjiu [Study
of archaic bronzes from Shang, Shang and Zhou dynasties], Dongzhou vol. 1, Shanghai, 2004, p.
514. Another covered hu of a similar form, decorated with an elaborate design of mythical animals,
from the Avery Brundage Collection, in the de Young Museum, San Francisco, is published in Charles
D. Weber, Chinese Pictorial Bronze Vessels of the Late Chou Period, Ascona, 1968, fig. 51. A further
example of a similar form but simpler design and a pair of ring handles, was sold at Christie’s New
York, 18th September 1997, lot 121.