Page 61 - Sothebys HK Dragon Emperor April 2024
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Exquisitely painted with the Eight Daoist Immortals   The doucai style is ideally suited for rendering this scene
                     dressed in billowing robes illustrated crossing the   of the Eight Immortals. A perfect harmony of delicately
                     rough sea after attending the Peach Festival of the   pencilled underglaze-blue lines with vivid blocks of iron
                     Queen Mother of the West, these bowls testify to the   red, yellow, green and aubergine endows the scene with
                     great developments in porcelain production during   a sense of ethereality which is fitting to the subject.
                     the Yongzheng period. The precision of the cobalt   Furthermore, the doucai style, which was originally
                     pencilled lines and shading captured on the robes of the   probably referred to as wucai, ‘five colours’, and the
                     immortals reveals the refinement of the porcelain and   clouds surrounding the immortals carry further symbolic
                     the craftsmen’s mastery of techniques and materials as   meaning. ‘Rainbow-coloured’ or five-coloured clouds
                     a direct result of the Emperor’s keen patronage.  (wuse yun) are considered highly auspicious portends
                                                               of good omens. According to Therese Tse Bartholomew,
                     Bowls of this type are rare and only four other pairs   Hidden Meanings in Chinese Art, San Francisco, 2006, p.
                     of bowls are known: one pair was sold in these rooms,   105, clouds (yun) are used as a pun on the word ‘fortune’
                     20th November 1984, lot 501; another pair was sold at   and are considered benevolent because of their power
                     Christie’s London, 4th December 1995, lot 153; the third   to supply water. As seen on the present pair of bowls,
                     pair was sold twice at Christie’s Hong Kong, 31st October   auspicious rainbow-coloured clouds are often depicted
                     1994, lot 617, and again, 29th May 2007, lot 1462; and a   in lingzhi (longevity fungus) shape, and the lingzhi itself
                     fourth pair formerly in the collection of Chutaro Nakano,   has the form of the wish-granting ruyi (‘according to
                     sold three times in 2010, 2015 and most recently in these   your wish’) sceptre. As Heir Apparent, the Yongzheng
                     rooms 9th October 2023, lot 3602. This motif is echoed   Emperor had himself portrayed in clay wearing a coat
                     in the blue and white palette, such as a bowl, from the   with five-coloured roundels over a cloud-decorated robe.
                     collection of Agatha and Irving Aronson, sold at Christie’s
                     New York, 21st-22nd March 2013, lot 1473; and another,   The scene on these bowls depicts the story whereby
                     but the interior roundel depicting Shoulao and his deer,   the Eight Immortals combined their powers to sail past
                     from the collection of Sir Harry Garner, illustrated in   the tempest rather than travel by their clouds, alluding
                     Soame Jenyns, Later Chinese Porcelain, London, rev. ed.   to the proverb baxian guo hai, ge xian shen tong (‘The
                     1971 (1951), pl. LX.                      Eight Immortals cross the sea, each revealing their divine
                                                               powers’). It is a lesson on how individual strengths and
                     The polychrome (doucai) colour scheme, where the   gifts can be used together to tackle the same obstacle.
                     outline is drawn in underglaze blue and filled with washes   This image grew in popularity after the Yongzheng
                     of underglaze blue and four different overglaze enamels,   reign and was rendered in various different palettes; for
                     gained popularity with the Chenghua Emperor. The term   example, see a pair of Daoguang mark and period puce
                     doucai, which refers to the interaction of the colours   and underglaze-blue decorated bowls, from the Edward
                     (cai), is ambiguous since the term dou allows for the   T. Chow collection, sold in these rooms, 19th May 1981,
                     colours to be characterised as clashing or matching.   lot 530; and an exquisite pair of famille-rose decorated
                     Terms such as ‘contrasting’, ‘contending’, ‘interlocking’,   jars and covers, with Qianlong reign marks and of the
                     ‘joined’, and ‘dove-tailed’ have been suggested as   period, sold twice at Christie’s Hong Kong, 31st March
                     translations, the most satisfactory rendering perhaps   1992, lot 656, 1st May 1995, lot 675, and again in our New
                     being ‘completion of colours’ as used by Fang Chaoying   York rooms, 17th March 2009, lot 124. See also a doucai
                     in his biographical entry on the Chenghua Emperor in L.   bowl of larger size and broader foot decorated with the
                     Carrington Goodrich and Chaoying Fang, eds, Dictionary   Eight Immortals depicted in a landscape, sold in these
                     of Ming Biography 1368-1644, New York, 1976, p. 302.  rooms, 29th October 1991, lot 208.
























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