Page 247 - Bonhams Asian and Chinese Art London Nov. 2019
P. 247

717                           718                                   719




           717  TP                           718                              719
           ANONYMOUS, QING DYNASTY           QUE LAN (1758-1844)              ANONYMOUS (17TH/18TH CENTURY)
           Four beauties in the manner of Wang   Crane, dated 1815            Admiring the waterfall
           Zhenpeng                          Ink and pigment on silk, inscribed and dated,  Ink and pigment on paper; bearing six red
           Ink and pigment on silk, bearing spurious   mounted on silk brocade. 103.5cm (40 3/4in)  seals, mounted as a hanging scroll. 214.5cm
           signature and red seal, mounted, framed and  x 189cm (74 3/8in)    (84 3/8in) x 111cm (43 3/4in)
           glazed. 156.5cm (61 5/8in) x64cm (25 1/8in)
                                             £1,500 - 2,000                   £2,000 - 3,000
           £2,000 - 3,000                    HK$15,000 - 20,000               HK$20,000 - 29,000
           HK$20,000 - 29,000                CNY13,000 - 18,000               CNY18,000 - 27,000
           CNY18,000 - 27,000
                                             The Property of a Lady

                                             Provenance
                                             a distinguished Italian private collection
                                             formed circa 1930s-1940s, and thence by
                                             descent

                                             The important Italian collector lived and
                                             worked in Shanghai between 1932 and 1936,
                                             as representative of his Italian company
                                             and in 1937, following the Sino-Japanese
                                             war, was transferred to Dalian in Southern
                                             Manchuria. After a brief period spent in Italy in
                                             1938, he returned to Shanghai where he lived
                                             between 1939 and 1940. He then moved
                                             to Beijing where he lived between 1941 and
                                             1946 and formed the vast majority of his
                                             collection of Chinese Art.






           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  ASIAN ART - PART II  |  245
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