Page 158 - Bonhams Cornette Saint Cyr, Property from the estate of Jean-Pierre Rousset (1936-2021)
P. 158

Resonance of the Void:
              A Lacquered Guqin Table with the Rhythm of ‘Clouds

                  and Dragons’ from the Rousset Family Collection

                                                     Zhang Zhihui







                      Alas, the vicissitudes of the Central Plains, in which the iconic Bronze Bird Terrace has long decayed.
                      Only tiles have remained from the grand mausoleums, and Master Guo’s brick may be one of them.
                            While beautiful words could sometimes mean nothing and only appear pretty in form,
                                     the hollowness of Master Guo’s brick resonates a long rhyme.
                         I hope to have one of those bricks in my humble garden [as a sound box on the guqin table],
                                          and be enchanted by music among the flowers.
                                         — Wang Ke, Sending Master Guo’s Brick to Mr Li Zimi







           On the sixth day of the fourth month of 1459, a summer day during the  speaking, guqin tables also include other long and narrow tables that
           third year of the Ming dynasty Tianshun reign, 29 ministers including   are not necessarily made for playing the qin 琴 (fretless Chinese zither)
           Han Yong, then the right Assistant Censor-in-chief, were invited to   instrument. The word ‘qin’ here refers only to the long and narrow
           a tour of the Imperial Western Garden located to the west of the   shape. Similarly, there are also kangqin 炕琴 (long and narrow cabinets
           Forbidden City. Such an invitation was, for the ministers of the time,   used on heated kang beds) and qindeng 琴凳 (narrow stools), which
           a supreme honour. After the morning assembly, the invited ministers   have nothing to do with the instrument. Strictly speaking, a guqin table
           were first summoned by the Tianshun Emperor at the Wenhuadian   refers to a specific furniture which is built to hold a qin for playing. It
           文華殿 (The Hall of Literary Glory), and given an Imperial meal in the   usually comes with a built-in drawer which functions as a resonance
           western chamber of the Hall, before they were led by eunuchs to the   chamber, or is inlaid with a guogong zhuan resonance block, and a
           Western Garden from the Xihuamen 西華門 (West Glorious Gate).   height below 75cm. Such features are critical in determining whether
           The sky was just clearing up after a shower, as the ministers strolled   or not a piece of furniture is a guqin table.
           around the garden and enjoyed the views. This memorable tour was
           recorded by Han Yong in his essay Ciyou Xiyuan Ji賜遊西苑記 (The   The qin has a long history in China and is often played on a
           Western Garden: A Tour Granted by His Majesty), in which he detailed   player’s lap, or on a table. The former way started with the birth the
           what he saw on the Wansuishan 萬歲山 (Hill of Ten Thousand Years):   instrument and continues to be used, while the latter was related to
                                                             the development of Chinese furniture. In short, Chinese furniture has
           …the small pavilion on the hill is surrounded by curious garden rocks,   become higher as people’s sitting positions have shifted from sitting
           as well as exotic and rare plants. The furnishings nearby include also   on the floor to sitting on raised furniture such as a chair, with their legs
           guqin tables, chess boards, stone beds and screens…The most   dangling down. High furniture started to exist extensively during the
           extraordinary rock is named Cui Yun (green clouds) and inscribed with   Tang dynasty and, eventually, became the norm in the Song dynasty.
           Imperial poems. On the guqin tables are the guogong zhuan (Master   Although it cannot be ruled out that qin was already played on low
           Guo’s brick), whose sound resonates beautifully when struck.  tables when sitting on the floor was still the norm, the widespread use
                                                             of guqin tables seems to have appeared even slightly later than the rise
           The so-called guogong zhuan is a generic term for sound boxes used   of raised furniture. Among the earliest known images of guqin tables
           on guqin tables. Han Yong’s account has shown how guqin tables and  is the one in the painting Tingqintu 聽琴圖 (Listening to qin) by the
           resonance blocks were used in Ming gardens and their surroundings   Emperor Huizong of Song, which, judging from its size and shape, was
           were designed. To this day, a Ming dynasty resonance block is still on   apparently made specifically for Court use.
           display in the Imperial garden of the Forbidden City. Offered from the
           Rousset Collection in this sale is also a rare Imperial lacquered guqin   It is not yet established when the so-called guogong zhuan started
           table with a resonance block.                     to be used on guqin tables. The current available evidence seems to,
                                                             however, indicate that it was no earlier than the Yuan dynasty. In the
           Commonly known as qinzhuo 琴桌 (guqin tables), the furniture   Dongtian Qingluji 洞天清錄集 (Pure Records of the Cave Heaven), a
           can be further categorised according to their shapes as qin’an 琴  book on antiques written by the late Southern Song period scholar
           案 (bench-liked guqin table), qinzhuo 琴桌 (guqin table), qinji 琴几   Zhao Xihu 趙希鵠, there is a detailed account of the recommended
           (lower guqin table), and qintai 琴台 (plinth-liked guqin table). Broadly   materials and shapes for guqin tables:





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