Page 85 - Fine Japanese Art Auction November 2 2019 Galerie Zacke
P. 85

OX / USHI



                                                               The ox (ushi) is the second sign of the zodiac and is an emblem of
                                                               spring and agriculture. It also serves as a talisman against diseases.






























                                                                                                            96  |   A POWERFUL IVORY NETSUKE OF A
                                                                                                                  RECUMBENT OX LICKING ITS NOSE                                                97  |   MITSUCHIKA: A LARGE AND RARE
                                                                                                                  ATTRIBUTED TO RISUKE GARAKU                                                       WALRUS IVORY NETSUKE OF
                                                                                                                                                                                                    A RECUMBENT COW WITH CALF
                                                                                                            Unsigned, attributed to Risuke Garaku
                                                                                                            Japan, Osaka, late 18th century, Edo period (1615-1868)                            %\ 0LWVXFKLND  VLJQHG 0LWVXFKLND
                                                                                                                                                                                               Japan, Kyoto or Edo, mid-19th century, Edo period (1615-1868)
                                                                                                            Published: %DUU\ 'DYLHV 2ULHQWDO $UW  1HWVXNH IURP WKH 7HGG\
                                                                                                            Hahn Collection, London, 1996, no. 80.
                                                                                                                                                                                               A large and bulky model of a recumbent cow with her calf snuggling
                                                                                                                                                                                               up to her and licking her face, their eyes inlaid in dark horn. The
                                                                                                            Powerfully carved as a recumbent ox with its tongue sticking out.                  material that was used for this powerful carving is a thick section of
                                                                                                            The rope halter which passes through its nose is carefully carved                  walrus tusk – a difficult material with many inclusions, as visible in
                                                                                                            and extends over the ox’s back. The body shape of the ox is carved                 this netsuke. Still, the details in this carving are sublime. The rope
                                                                                                            remarkably well, bold of design and bulky with sharp and strong                    halter that passes through the nose over the back, is carved crisply.
                                                                                                            contours. The fur is finely incised and characteristically worn. The               The hairwork is fine and the body proportions of the cow are
                                                                                                            underside with finely carved tucked in legs and a beautiful rich                   boldly carved, conveying the weight of this large animal very well. In
                                                                                                            yellow patina, as well as large, coherent himotoshi.                               contrast, the young calf is carved sensitively. The underside shows
                                                                                                                                                                                               the many hooves and large and generously deep himotoshi, as well
                                                                                                            LENGTH 5.5 cm                                                                      as the signature MITSUCHIKA ʾʡ in a wavy reserve.
                                                                                                            Condition: Very good condition. The ivory worn with expected age                   LENGTH 6.5 cm
                                                                                                            cracks.
                                                                                                            Provenance: Ex Teddy Hahn Collection.                                              Condition: Excellent condition with expected wear and age cracks.
                                                                                                                                                                                               Provenance: European collection.
                                                                                                            Risuke Garaku of Osaka, one of the few artists mentioned in the
                                                                                                            Soken Kisho, was a bold and powerful carver from the latter half                   Meinertzhagen writes that it is probable that Mitsuchika was a
                                                                                                            of the 19th century. Some of his designs, like the present netsuke,                student of Mitsuharu of Kyoto, due to his distinct Kyoto style oxen
                                                                                                            strongly suggest Kyoto school.                                                     and use of the character Mitsu ʾ. However, the wavy reserve and
                                                                                                                                                                                               the addition of the character Chika ʡ, may suggest the Tomochika
                                                                                                            Auction comparison: For another netsuke attributed to Garaku of                    school of Edo. Perhaps the carver learned his craft in Kyoto and
                                                                                                            VLPLODU GHVLJQ VHH %RQKDPV  7KH (GZDUG :UDQJKDP &ROOHFWLRQ RI                      subsequently moved to Edo.
                                                                                                            Japanese Art, 6 November 2013, London, lot 60.
                                                                                                                                                                                               Literature comparison: Compare to another netsuke of a
                                                                                                            Literature comparison: For another model of an ox licking its nose                 recumbent ox with boy by Mitsuchika in Lazarnick, George, Netsuke
                                                                                                            see F. Meinertzhagen, MCI Part A, New York, 1986, page 70.                         and Inro Artists, Honolulu 1982, p. 772.
                                                                                                            Estimate EUR 3.000,-                                                               Estimate EUR 3.000,-
                                                                                                            Starting price EUR 1.500,-                                                         Starting price EUR 1.500,-



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