Page 253 - Fine Chinese Art Bonhams London May 2018
P. 253

Harry Geoffrey Beasley was a wealthy brewery owner whose
                                                         private collecting passion began when, aged 13, he bought
                                                         two Solomon Island clubs. In 1914 he was elected to the Royal
                                                         Anthropological Institute with which he maintained an association
                                                         until 1937. He and his wife, Irene, established the Cranmore
                                                         Ethnographic Museum in Chislehurst, Kent where they had moved
                                                         in 1928, compiling the Cranmore Index of Pacific Material Culture
                                                         based on James Edge-Partington’s Index for the British Museum
                                                         and forming a considerable library. Although the Beasleys collected
                                                         artefacts from all around the world – including Africa (particularly
                                                         Benin), North-west America and Asia - their main focus was
                                                         the Pacific. Objects were acquired from dealers, missionaries
                                                         and from, or in exchanges with, various museums. Beasley’s
                                                         comprehensive monograph on Oceanic fish-hooks was published
                                                         in 1928. The Cranmore Museum was damaged by bombing in
                                                         World War 2 and in accordance with Beasley’s will his widow,
                                                         Irene M Beasley (q.v), offered the first selection of the collection
                                                         (apart from a limited reservation for herself) as a donation to the
                                                         British Museum. The gift of several thousand items became fully
                                                         effective in 1944. Other named beneficiaries include the Pitt-Rivers
                                                         Museum, Oxford; The Museum of Archaeology and Anthropology,
                                                         University of Cambridge; and National Museums, Scotland.
           H.G. Beasley (1881 - 1939)








           THE PROPERTY OF A LADY
           女士藏品
           273 *  Y Ф
           A RARE IVORY AND MOTHER-OF-PEARL-
           EMBELLISHED HUANGHUALI BRUSH POT,
           BITONG
           18th century
           The cylindrical vessel intricately inlaid with stained
           ivory, mother-of-pearl and hardstone pieces,
           depicting magpies and grasshoppers perched on
           leafy gnarled branches and floral sprays beside
           rocky outcrops, beneath flying butterflies.
           14.3cm (5 5/8in) high.
           £5,000 - 8,000
           CNY45,000 - 71,000
           十八世紀 黃花梨嵌百寶花石圖筆筒

           Provenance: H.G.Beasley (1881-1939), acquired
           on 5 October 1925, and thence by descent

           來源: H.G.Beasley先生(1881-1939)收藏,購於
           1925年10月5日;並由後人保存迄今

           The present lot encapsulates the skill of Qing
           craftsmen in inlaying a complex variety of semi-
           precious coloured stones into a rich huanghuali
           section. Compare with a related hardstone-inlaid
           zitan brush pot, mid Qing dynasty, illustrated in
           The Complete Collection of Treasures in the Palace
           Museum: Bamboo, Wood, Ivory and Rhinoceros
           Horn Carvings, Hong Kong, 2002, p.291, pl.236.

           A related hardstone and mother-of-pearl-inlaid
           huanghuali brush pot, 16th/17th century, was sold at
           Christie’s Hong Kong on 2 December 2015, lot 3472.



           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  FINE CHINESE ART  |  245
   248   249   250   251   252   253   254   255   256   257   258