Page 30 - Nov. 27 2019 Christie's Hong Kong Desk Objects
P. 30

THE PROPERTY OF A LADY
         2804
         A WHITE JADE ARCHAISTIC FANGGU-FORM               ᪺̗㡳   ⅮἕͲ۶㩲㩐♄ἅ㤛㘢‎⡪ᑝ⿷
         VASE
         QIANLONG PERIOD (1736-1795)                       ϝᬝ
         The square-sectioned vase is modelled after an archaic bronze   ᯳೥㯀☆՞Ⅷ⻦
         wine vessel fanggu. Each side of the mid-section is carved in
                                                           ⎊ℱǯᙲ⋌ক㨯ᙃ౩ӳൃ⎊ℱ↱ㅳ卿཭㛑ἦⰰǯ଍ᆨ֎㬪㠩㜮଍㈓ǯ᫈
         shallow relief with a taotie mask, between lappets filled with key
                                                           ᙹᆨऑǮ㑷ǯ᳅⮃ᓋ⯍ᄓԠӳ㛑ǯം೅߃㫌㪰㑌⹳⶟⡠卿⭬㱈㲎㱬⡠卿
         frets spreading outward on the trumpet neck and splayed foot.   㯝㛑㉑℡㬷㠾∪⪆Ӭཌǯ
         The neck is carved with a pair of openwork mask-form handles
         suspending loose rings. The stone is of an even pale greenish-white   ᳖ջ֎ऒℱ㈓അ⊐ӳǮԋǮӴӲ㛑ߎ⢑भ㿱ᓞ⩧Ꮀǯ᫉଍սӬᙃ౩ℱᙠ
         tone with small patches of russet.                㫌↱⩧Ꮀ卿ӻℱ㐏᳖㘲⎊⎝ǮⰰḞமࡵ卿ἃԳ㪏֎ऒℱ଍ԋ⎏Ⅷ৅ǯ᳖
         9…/”ÿ in. (23 cm.) high, wood stand               ༈⯠⻦ԋ㫍ᝳᙇ։㘆ַ׾卿ֿℱ㐏ࣿ㫌႙⯝᫉⏟⋁⩢ՔӶ≾അǯ㘆ַ׾
                                                           जࣻ⩠झ࢈ᘢ༈ࢷ⁒㩴Ꮢ⻦Ӭ։☸㵶卻     ݩߎ卼⎏Գ㪏֎ऒ᪪㈓卿
         HK$1,500,000-2,500,000        US$200,000-320,000
                                                           ㇦Ƕ༈ᅡԠ㪿厍᳖ջ֎ऒ⊺ዪℱ଍⁞ཿஎ㢙Ƿ卿झ࢈卿     ჺ卿எ‸
                                                             ǯऔᬘ㖅Ӭ։⎊ℱ߅ᎹὍ⪆ᙹ㈓卿     ჺ   ᝲ    ᚚᙻ㲞ᳰצ೥ᇑᐽ
         PROVENANCE
         A Boston private collection                       㐈卿ᐽ৅      ⽚ǯ
         The present vase follows the archaic bronze prototype, fanggu, a type   ࢈՗ᘢ༈ࢷ⁒㩴Ք⻦ᝳᙇ։ℱ㈓卿ཨ༿Ǯ଍ᆨࣿℱ♎प⊿卿㇦ᘢ༈ࢷ⁒
         of wine vessel used in the rituals of the Shang and Zhou dynasties. By   㩴⻦Ⅷ৅ݥ㫀Ƕℱ଍卻Ӵ卼Ƿ卿㲞ᳰ卿     ჺ卿எ‸        卿ℱ㐏⎐
         the Qing period, archaic forms and motifs found great popularity at   ἃ┡ℱᎵ㬪ℱǯ
         court and a number of jade vessels, such as the present example, were
         produced to reflect the fashion of the period.
         The present vase is carved from a single jade boulder, instead of
         constructed in sections as many comparable examples from this
         period are. This vase is further distinguished by its white and even
         material, which is on a par with the finest examples preserved in the
         Qing court collection, such as a slightly taller white jade gu-form vase
         (24.3 cm. high) with Qianlong fanggu-mark in the National Palace
         Museum, Taipei, illustrated in The Refined Taste of the Emperor:
         Special Exhibition of Archaic and Pictorial Jades of the Ch’ing Court,
         Taipei, 1997, no. 11; and one of comparable height with flanges in place
         of mask and ring handles, sold at Christie’s Hong Kong, 29 May 2019,
         lot 3028.
         Compare also with a few other jade gu-form vases of varying sizes and
         shapes made of either celadon or spinach-green jades in the Palace
         Museum, Beijing, illustrated in The Complete Collection of Treasures of
         the Palace Museum -Jadeware, III, Hong Kong, 1995, nos. 130-134.























       28
   25   26   27   28   29   30   31   32   33   34   35