Page 62 - Bonhams Chinese Art March 2016 New York
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8078          8078
8079          A RU-TYPE GARLIC-MOUTH VASE
              18th century
8080          With a bulbous body with a band of molded stiff lappets above the
60 | BONHAMS  low spreading foot, the neck with a single rib flaring to the garlic-
              mouth finely incised to suggest lotus petals, all covered in a pale
              grayish-blue glaze.
              16 1/4in (41.2cm) high
              $8,000 - 12,000

              十八世紀 汝窯釉蒜頭瓶

              Compare an aubergine-glazed vase of related form but smaller,
              from the Qing Court Collection, illustrated in The Complete
              Collection of Treasures of the Palace Museum: Monochrome
              Porcelain, Shenzhen, 1999, no. 166.

              8079
              A LONGQUAN CELADON-GLAZED TRIPOD INCENSE BURNER
              Ming dynasty
              The shallow bowl raised on three molded feet and punctuated on
              the exterior with six applied bosses on a recessed band below the
              rim, all covered with a rich warm green glaze only revealing the
              biscuit on a raised circle on the underside and in the well of the
              interior, wood stand.
              7in (17.8cm) diameter
              $3,000 - 5,000

              明 龍泉窯青釉三足香爐

              8080
              A LARGE MING-STYLE FAHUA JAR, GUAN
              18th/19th century
              Heavily potted, the exterior molded with two pairs of phoenix divided
              by luscious peony sprays and rockwork, above stiff lappets at the
              foot and below ruyi-shaped cartouches and a band of lappets at the
              shoulder, the neck with regularly-spaced cloud scrolls, all decorated
              in turquoise, aubergine, green, yellow and white enamels against a
              rich indigo ground.
              14 1/2in (37cm) diameter
              $8,000 - 12,000

              十八或十九世紀 琺華鳳凰牡丹紋罐

              The present lot is based on the popular Fahua vessels of the late
              Ming period, themselves inspired by the cloisonné technique used
              in metalwork. Late Ming Fahua vessels were made in a numerous
              shapes and sizes, mostly heavily potted and with somewhat freely-
              applied, uneven glazes: several guan examples from the Wanli
              period are illustrated by J. Harrison-Hall, Ming Ceramics in the British
              Museum, London, 2001, nos. 13:20 to 13:24. In contrast, the potting
              of the present lot is slightly lighter and finer, and the glazes are brighter
              and more consistently controlled, suggesting a Qing date. A closely
              related jar, dated Ming dynasty, 16th century, accession number
              17.1107, formerly in the collection of Denman Waldo Ross, is in the
              collection of the Museum of Fine Arts, Boston.
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