Page 122 - Sotheby's London Fine Japanese Art Nov. 2019
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           ANONYMOUS                        On 8 July 1853, residents of Uraga on
           EDO PERIOD, 19 TH  CENTURY       the outskirts of Edo (today Tokyo), the
                                            capital of the Tokugawa shogunate, beheld
           THE MISSISSIPPI STEAMBOAT        an astonishing sight when four foreign
           ENTERING TOKYO HARBOUR IN 1853   steamships entered their harbour under a
                                            cloud of black smoke. The four Black Ships
           ink and colour on paper, framed  (kurofune) were called the Susquehanna, the
           90 cm., 35⅜ in. wide
                                            Mississippi, the Plymouth and the Saratoga.
           PROVENANCE                       Commodore Matthew Perry had arrived to
                                            request for Japan to end its two-century-long
           Vanderbilt Estate, Maine, USA
                                            isolationist policy (sakoku) and to open up
           This painting depicts the Mississippi, which   trade with the West.
           was built under the personal supervision of
           Commodore Matthew Perry (1794–1858) in   Kurofune [Black Ships] became a symbol
           1841. She cruised the Mediterranean Sea and   of the opening of the country (kaikoku) that
           the Ottoman Empire before serving as the   would eventually cause the fall of the Edo
           flagship for Commodore Perry’s expedition to   regime.             Mathew B. Brady (1823?–1896)
           Japan ordered 1851 by U.S. President Millard   † £ 10,000-15,000   Matthew C. Perry (1794–1858), 1856–58
           Fillmore (1800–1874).                                              The Metropolitan Museum of Art of New
                                            € 11,300-16,900   US$ 12,500-18,700
                                                                              York City, Gilman Collection, Purchase,
                                                                              Joseph M. Cohen Gift, 2005
                                            NO LOT 120







           120     Buyers are liable to pay both the hammer price (as estimated above) and the buyer’s premium together with any applicable taxes and Artist’s Resale Right (which will depend on the individual circumstances).
                   Refer to the Buying at Auction and VAT sections at the back of this catalogue for further information.
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