Page 45 - Yamanaka co Auction catalog
P. 45

65-LAPIS-BLUE   VASE (Ch'ien-lung)
                   Full-bodied inverted pear-shape, with a lightly defined foot,
                   and gracefully  proportioned  neck slightly expanding  at
                   the lip.  Fine light porcelain with a clear tone, invested
                   with a rich and luminous glaze of purplish   lapis-lazuli
                   hue and mirror quality, the surface showing delicate mark-
                   ings infinitesimally fine.  The glaze continues underneath
                   the foot and within the neck. Has carved teakwood stand.
                                                           Height,  10 inches.



              66-CELADON    VASE (Ch'ien-lung)
                   Fashioned after an early bronze model, a favorite practice
                   under the Emperor Ch'ien-Iung.  The body of the vase is
                   kettle-form, rounding in ovoid curvature to a bold circular
                   foot, the ancient kettle top defined by a molded ring. Above
                   the ring the broad and almost flat shoulder leads to rather
                   a full neck that finishes in a cup-lip.  On the shoulder are
                   modeled in high relief three heads of horned sheep-in-
                   dicative of the imperial destination of the vase.  The entire
                   vessel is enveloped in a pale celadon glaze of rare purity,
                   its sea-green hue that of the ocean lightened by myriad
                   air-bubbles, its surface luminous and almost caressing. Has
                   carved teakwood stand.
                                                           Height,  10 inches.
                      It is curious to note the differences in what might be called national
                   tastes even among art collectors. Quite different from forms which are
                   familiar and sought after here, this is a piece in its simple dignity so
                   distinctly to the taste of Nippon collectors that they vie with one an-
                   other, and with the Chinese, in seeking possession of such an example-
                   the price mattering not, or only as an after-thought  (as with tradi-
                   tional American collectors in some lines of their favorite pursuit).
                   The full force of this trait and taste on the Oriental face of the planet
                   may best be realized by recollecting that the Eastern will exhibit a
                   vase or other treasure by itself-that  its beauty may have free expres-
                   sion and influence; he does not boast of his practice, but he cannot
                  wholly comprehend the Western's  (to him) wholesale display.  For
                  though he himself may possess the larger number, yet will he show only
                   one, or a few, for in full contemplation of the one, or the few, is
                  his delight.
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