Page 141 - Chinese Art, Vol II By Stephen W. Bushell
P. 141

PORCELAIN.                        27

         common  in collections than any other of the Sung wares.  The
         bowls and dishes were often fired bottom upwards, and the delicate
         rims,  left unglazed, were afterwards mounted with co])per rims
         to preserve them from injury.  Some were clothed in plain white,
         the glaze collecting outside in tear-drops  :  others were engraved
         at the point in the paste with ornamental patterns  :  a third class
         was impressed inside with intricate and elaborate designs in pro-
         nounced  relief, the principal ornamental motives being the  tree
         peony,  lily  flowers, and  flying phoenixes.  Two vases  of white
         Ting-chou porcelain in my possession are illustrated in Fig. 8, both
         fashioned in old bronze shapes, and lightly engraved in the paste
         under the minutely crackled glaze of characteristically soft creamy
         tone.  The one on the  left  is carved with brocaded grounds and
         borders of spiral fret  : the other, with two handles moulded in the
         form of archaic dragons,  is lightly worked outside with sprays of
         flowers and foliage.
           The Lnng-ch'iian Yao, which comes next  for  notice,  is the  far-
         famed celadon ware made   at  this  time  in  the  province  of
         Chekiang,  the  ch'ing  tz'ii,  or  "green porcelain  "  par  excellence
         of the  Chinese,  the  seiji  of the Japanese, the martabani oi the
         Arabs and Persians.  There  is  a lordly pile of literature on the
         "celadon questioa  "  in  all  its bearings, and the field, interesting
         as  it  is, can hardly be laboured further here.  The Lung-ch'iian
         porcelain of the Sung dynasty is distinguished by its bright grass-
         green hue, which the Chinese liken to fresh onion sprouts, a more
         pronounced colour than the greyish green,  or  "  sea-green,"  of
        later celadons.
           The Chiin Yao was a kind of faience made at Chiin-chou, now
         Yii-chou, in the province of Honan.  The glazes were remarkable
         for their brilliancy and for their manifold varieties of colour, es-
        pecially  the transmutation  flambes, composed  of  flashing  reds,
        passing through every intermediate shade of purple to pale blue,
        which have hardly been equalled  since.  The  great  variety  of
            S941.                                            o 2
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