Page 175 - Chinese Art, Vol II By Stephen W. Bushell
P. 175

PORCELAIN.
                                                                  37
          pencilled in underglaze copper red (rouge de cuivre) of the grand feu,
          the technique and firing of which are the same as those of the
          cobalt blue.  The vase with imperial dragons grasping shou char-
          acters rising from the sea, placed next for contrast in Fig. 37,  is
          painted in the soft coral red of the muffle stove derived from iron
          peroxide [rouge de fer).  This last colour, of paler coral shade,  in
          combination with gold, has been used in the charmingly  artistic
          decoration of the bottle illustrated in Fig. 38, which was bought in
          Persia.  In addition to coral red, the same iron peroxide, fired at
          the heat of the demi-grand feu, furnishes all possible tones of brown,
          ranging from chocolate and  "  dead leaf  "  (feuille morte) tints to
          " old gold."  The double gourd in Fig. 39 is an example of a brown
          ground, overlaid with flowers in white  "  slip," a kind of decoration
          which has sometimes been wrongly attributed to Persia.  The triple
          gourd in Fig. 40 is " dead leaf  "  brown (te/7 chin) below, interrupted
          by rings of plain and crackled celadon, blue and white above.  A
          somewhat rare combination follows in Fig. 41, illustrating a celadon
          ground of the grand feu, overlaid with a decoration of birds and
          flowers executed in enamel colours.
            An example of a vase is shown next, in Fig. 42, painted entirely in
          colours of the grand feu, copper-red of maroon tint passing into
          varied  "  peach-bloom  " shades, and celadon, with a Ueti  fouettr
          ground  ;  the celadon parts and the white reserves are worked in
          slight relief, with engraved details.  The decoration consists of the
          Pa Hsien, the " Eight Genii  "  of the Taoist cult, disporting them-
          selves in clouds, and holding up their distinguishing  attributes.
          Like many other pieces evidently belonging to this reign it has the
          fictitious mark, under the foot, of Ta Ming Ch'cng Hua nien chiht
              "  Made in the reign of Ch'eng Hua of the Great Ming."
          i.e.,                                                 For a
          typical example of the san  ts'ai, or 'three-coloured," decoration
          sur biscuit, see the pictures, in Fig. 43, of a fish-shaped water pourer,
          which  is painted with  the brownish-purple,  green, and  yellow
          enamels of this genre.
   170   171   172   173   174   175   176   177   178   179   180