Page 203 - Chinese Art, Vol II By Stephen W. Bushell
P. 203

PORCELAIN.                        43

                             Modern Period, from 1796.
             This  is a period of decadence and hardly demands detailed de-
           scription, but two examples in the nmseum of the work of the
           imperial potteries of some interest from their associations may be
           illustrated here.  The first, Fig. 66, gives a saucer-dish and wine-
           cup from a dinner-service specially made for a Prince of Western
           Turned, who married a daughter of the Chinese Emperor Tao Kuang
           (1821-50),  being marked underneath  in  the Mongolian  script
           "Baragon Tumed," and decorated in colours and gilding with the
           seven paraphernalia of a  "  chakravarttt  " or universal  sovereign,
           and with bands  of shou characters  alternating with Buddhist
           symbols.  The second. Fig. 67, is a bowl, painted outside in enamel
           colours with the eighteen Arhats, or Lohan,  of early Buddhist
           story (Vol. I., 98, 115), and inscribed below with the six-character
                                             "
           mark Ta Ch'ing Hsien Feng nien chih.  Made in the reign of Hsien
           Feng (1851-60) of the Great Ch'ing (dynasty)."  This last service
           is said to have been specially made for the use of the consort of
           the reigning emperor, who was destined to become so  famous
           after his death.  She now rules China as the empress dowager
                                                                    ;
           two of her peculiar ceramic marks will be found among the porce-
          lain marks and seals attached to this chapter.
            A few porcelain snuff bottles of various dates are here illustrated
           by text-cuts to show some of their varied forms and methods of
           decoration.  Fig. 68 is blue, the outer casing carved in open-work
           with nine hons sporting with brocaded  balls  ;  Fig. 6g  is white,
           worked in relief with the group of eighteen arhats  Fig. 70 is cu-
                                                       ;
           cumber green of truid' type  ;  Fig. 71 is painted in underglaze red
           and blue  ;  Fig. 72 with crabs in rehef is painted in enamel colours  ;
           Fig 73 is also decorated in colours with floral scrolls, bitter gourds,
          and butterflies.  Fig 74, thickly coated with a yellow crackled glaze,
          to simulate  glass,  is marked underneath with the characters Ku
           Yiieh Hsiian [see page 64)  ;  the stopper in which the small ivory
          spoon inside the bottle is mounted, is made of coral and turquoise
                                                                    ;
           this is used, of course, to ladle out the snuff.
              8941.                                             X
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