Page 236 - Chinese Art, Vol II By Stephen W. Bushell
P. 236

66                    CHINESE ART.

                    green celadon as well as dark brownish reds, while gold affords
                    graded rose pinks deepening to crimson.  The intensity and purity
                    of the colouring, according to M. Paleologue, give sometimes to the
                    material the appearance of a hard stone,  of a flawless oriental
                    agate.  The Chinese are  skilful  also,  as M.  Paleologue remarks,
                    in fusing together glasses of different colours, either without mingling
                    them, or by introducing into the mass itself one of the component
                    materials in the form of spots, veins, or ribbons.
                      All the technical processes,  in  fact, used in the West  in the
                    working of glass have been employed in their turn in the Middle
                    Kingdom.  Blowing,  pressing, and casting in moulds have long
                    been known  : but it is by cutting, and especially by deep chiselling
                    and undercutting of pieces made  of several layers  of different
                    colour that the Chinese have created their most original productions.
                    In this particular line they have attained a surety of touch, with
                    refined taste and perfect finish of workmanship, that have not been
                    surpassed even by the masters of the craft .of the sixteenth century
                    in Bohemia.  Chinese carvers in glass have always been inspired
                    by glyptic work in jade and other hard stones, and they use the
                    reciprocating treadle wheel and all the other lapidary tools which
                    have been described in the chapter on jade in Vol.  I. Chap. VII.
                    Their work in these lines is comparatively easy, as no glass is so
                    hard as nephrite, jadeite, and rock-crystal, not to mention precious
                    stones hke the ruby, and emerald, which are also sculptured into
                    small images of Buddha and the  like by the Chinese  lapidary
                    working with the same lapidary tools.
                     '  The glass objects made by the Chinese are generally of small
                    dimensions, not larger than the jadeite or agate carvings which
                    are posed as models. The ground is either translucent' or opalescent,
                    and  it  is tinted to give an illusory resemblance to the model of
                    which it is a counterfeit presentment  ;  to  be detected onlj' by a
                    minute examination, or by tapping it, in Chinese fashion, with the
                    finger-nail, so that its characteristic ring may betray it.  The little
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