Page 271 - Chinese Art, Vol II By Stephen W. Bushell
P. 271

ENAMELS, ETC.                       77

            two well contrasted shades of blue, a dark blue of lapis-lazuli tone
           without the dulness of washing blue, and a pale sky-blue with the
           slightest tinge of green.  The red is of dark coral tint rather than
           brickdust, the yellow full-bodied and pure.  Greens derived from
           copper are sparingly used, rouges d'or are entirely absent from their
           scheme  of decoration.  Black and white give the worst  results,
           the former fails in depth and lustre, the latter is generally clouded
           and muddy.   The general effect of the decoration  is wonderfully
           successful, but at the same time a more minute examination  will
           reveal minor flaws due  to imperfect technique, a certain want
           of polish in the surface, and a tendency to become pitted with
           minute holes in the enamels.  The last defect, so frequent in early
           enamels, was remedied later by repeated fusion in successive firings,
           at the risk always of some deterioration in the original brilliancy
           of the colouring.
             Under the present Cli'ing dynasty the reigns of K'ang Hsi, Yung
           Cheng, and Ch'ien Lung are distinguished  for the excellence of
           their enamels.  The works of K'ang Hsi (1662-1722) while improv-
           ing in technical finish, retain something of the boldness of design
           and robust colouring of the Ming dynasty.  The style  is simple
           and broad, the colouring pure and rich, the execution strong and
           original.  Fine specimens are to be seen in many of the Buddhist
           temples  in  the neighbourhood  of Peking, which were founded
           under the patronage of the emperor during his long reign, as  it
           was his usual practice to have the sets of incense vessels required
           for the shrines made of cloisonne enamels at the palace works
           referred to in Vol.  I., p. 116, for presentation  to the temple at
           its inauguration  It will be seen by the  list that No. 6 of these
           factories which were established in the year 1680 in connection
           with the Board of Work';, wasdevoted to themanufacture of enamels.
             The enamel work of Yung Cheng (1723-1735) does not differ
           materially from that of his predecessor.  When the heir-apparent
           came to the throne in 1722, his former residence in Peking, near
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