Page 296 - Chinese Art, Vol II By Stephen W. Bushell
P. 296

86                   CHINESE ART.

                   attendants being cloaked with lotus leaves and reeds  ; the diapered
                   border is interrupted by foliated panels containing birds, flowers,
                   and  butterflies, and encircled by a light rim of fret.  The under
                   surface of this dish is painted with storks in a fir-tree, surrounded
                   by a diapered border with landscapes in compartments.
                     Another round  dish,  illustrated  in  Fig.  loo,  is enamelled  in
                   colours with a picturesque landscape, a scene taken from the banks
                   of the Hsi Hu, the celebrated lake at Hangchou, one of the old
                   capitals of China, the Kingsai of Marco Polo.  The hill upon an
                   island to the right is covered with the many halls and pavilions of a
                   Buddhist temple, including a pagoda and a tall stupa, and  is ap-
                   proached by a raised causeway provided with bridges and arches
                   and  two-storied  buildings intended  for  the  entertainment  Of
                   pilgrims. Two visitors are approaching on mules, some more are cross-
                   ing the lake on boats, others resting awhile in the open t'inga.r& drink-
                   ing tea.  The under border of the dish is painted with sprays of
                   bamboo and orchids, and, in the centre, the artist' s noin de plume,
                   "Hsi Ch'i,"  is  written  in a small oval panel, supported by an
                   archaic dragon.
                     The third round dish of painted enamel, illustrated in Fig. loi,
                   is decorated in the middle with a Chinese  picture of a European
                   family in the costume of the eighteenth century, grouped under a
                   canopy which is stretched across the trees of a woodland scene. The
                   border is filled in with a diaper ground, interrupted by panels of
                   grotesque monsters, alternating with small dragon medallions. The
                   bottom of the dish, underneath, is decorated with a large four-
                   clawed dragon, and with five foliated panels of flowers round the
                   borders.
                     Chinese copies of European engravings, secular as well as religious
                   in character, are not uncommon on Canton enamels.  The Canton
                   enamellers also laboured for clients in India,  Persia, and other
                   countries of Western and Southern Asia, when not busy on European
                   commissions, inscribing their work with foreign script, more or less
   291   292   293   294   295   296   297   298   299   300   301