Page 327 - Chinese Art, Vol II By Stephen W. Bushell
P. 327

TEXTILES, WOVEN SILKS, ETC.
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          thin gauzes in the small island of Cos, off the coast of Asia Minor.
          The Chinese jealously guarded the secrets of their valuable art,
          but tradition says that the eggs of the silkworm moth were carried
          to Khotan about the Christian era concealed by a Chinese princess
          in the lining of her head-dress  ; and that by this route the silkworm
          slowly spread to India and Persia.  It reached Byzantium in the
          reign of the emperor Justinian, about the year 550 a.d., the eggs
          being brought there inside their bamboo staves by two Nestorian
          monks, who had lived many years in China, and learned the whole
          process of rearing the worm, winding and weaving the silk.
            China was, no doubt, the  first country to ornament its silken
          webs with a pattern. The monk Dionysius Periegetes wrote, about
          the end of the third century, that —
                                        :
           " The Seres make precious figured garments, resembling in colour
                                                                 tlie
          flowers of the field, and rivalling in fineness the work of spiders."
            The warp and woof, we are told, were of silk, and both of the best
          kind. Stuffs so figured brought at first with them to the West the name
          "diaspron" or diaper, bestowed upon them at Constantinople; but
          since the twelfth century, when the city of Damascus became so cele-
          brated for its looms, the name of damask came into vogue among
          traders, and it has since been extended to every silken fabric richly
          wrought and curiously designed, no matter whether it came or not
          from Damascus.  So Chinese figured silks, among the rest, are often
          commonly called damasks.  The Chinese name is chin, a character
                        " silk "  and  "
          compomided of             gold," because, they say, the labour
          expended makes it as costly as gold.  The Chinese name for em-
          broidery  is hsitt, which includes all kinds of work executed with
          the needle, where the designs are filled in with coloured silks, in
          connection occasionally with gold and silver.
           Gold is also often interwoven with silks on the loom, the usual
          process being to use gold thread prepared by twining long narrow
         strips of gold-foil round a line of  silk.  The same method was
         .loUowed in the older embroideries, eked out, perhaps, with metallic
             8941.                                           2 N 2
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