Page 334 - Chinese Art, Vol II By Stephen W. Bushell
P. 334

t)6                  CHINESE ART.
                     an embassy to the Chinese court in that year. A jjrincess of the
                     T'ang dynasty in the 8th century is recorded to have excelled in
                     delicate embroidery  ;  she is said to have worked with her needle
                     three thousand pairs of mandarin ducks on a single coverlet of
                     brocade,  filling in the intervals with line sprays of rare flowers
                     and foliage, thickly strewn throughout with beads made of precious
                     stones, a wondrous achievement of dazzling beauty.  Under the
                     Sung dynasty (960-1279) the names of more than  fifty brocade
                                                             —
                     patterns of the time are given  they include  " Storeyed Palaces
                                                ;
                     and Pavihons,"  "  Dragons in Water,"  "  Dragons coiling through
                     a Hundred Flowers,"  "  Dragons and Phoenixes,"  "  Argus Pheasants
                     and Storks,"  "  Tortoiseshell Grounds," "Pearls and Grains of Rice,"
                     "  Lotus Flowers and Reeds,"  "  Dragons, in Medallions, pursuing
                     Jewels,"  "  Cherries,"  "  Squares and medallions of White Flowers on
                     Coloured Grounds,"  "  Lotus and  Tortoises,"  "  Floral Emblem
                     of Longevity,"  "  Musical  Instruments,"  "  Panels  with  Eagles
                     surrounded by line sprays of flowers,"  "  Lions sporting with balls,"
                     "  Water-weeds and  Playing  Fish,"  "  Sprays  of Rose-Mallow,"
                     "  Tree Peonies,"  "  Tortoises and  Snakes,"  "  Peacocks,"  "  Wild
                                            "
                     Geese flying in the Clouds —besides striped and diapered designs
                     of more  simple  character,  felicitous  combinations  of  Chinese
                     characters, and groups of symbols of happy augury.  The soft
                     damasks and transparent gauzes of the time were woven in similar
                     patterns  ; a decree of the Emperor Jen Tsung (1023-63),  is cited
                     in this connection, ordering that  his " hat  of ceremony shall be
                     made of dark blue gauze worked with medallions of dragons and
                     kilins, having the interspaces  filled in with dragons and scrolled
                     clouds, woven in gold."
                       The above list might almost serve for to-day, as the silk weaver,
                     most conservative of artisans, continues to turn out  all the old
                     patterns from his handloom.  The loom too has hardly changed
                     in the interval, excepting in an increase of size  alien machinery
                                                               ;
                     is not admitted  into the workshops  of  Suchou  and  Hangchou.
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