Page 345 - Chinese Art, Vol II By Stephen W. Bushell
P. 345

TEXTILES, WOVEN SILKS, ETC.                 99

            kind are often filled in with the brush to give a finish to the decora-
            tion.
              An important collection of k'o ssU pictures brought from Peking
            has been recently secured for the museum, which throws an un-
            expected light on some of the themes and methods of comjiosition
            of Chinese pictorial art, and  is therefore worthy of study.  They
            are intended for the decoration of the reception room  their general
                                                          ;
            character is indicated by the two examples selected for illustration.
            In Fig. 116 is shown a picture woven in coloured silks and gold
            thread, with occasional touches subsequently painted with the
            brush.  It is one of a series of four (Nos. 1644-1647) woven with
            scenes of the dragon procession, which is held in all parts of China,
            as an annual festival, on the fifth day of the fifth month, in memory
            of Chii Yuan, the loyal minister, who drowned himself on  that
            day in the year B.C. 295.  The Dragon-boat Festival is a search
            for the body of the hero, and ends with offerings of rice in bamboo
            tubes cast into the river as a sacrifice to his spirit.
              The second picture of woven silk reproduced in Fig. 117 represents
            a view of the Taoist paradise, which  is called Shou Shan,  i.e.,
            "  Hills of Longevity," in Chinese art.  It is a mountain landscape
            with water, spanned by an arched bridge in the foreground, stretch-
            ing between rocky banks in the distance  ; the rocks support pillared
            pavilions shaded by immense pines, while a peach tree, the fabled
            fruit of life, spreads its branches over the water.  The well-known
            eight genii. Pa Hsien, are grouped on the rocks in the centre of the
            picture, and they may be recognised by their attributes, like the
            other hermit-immortals below,  crossing the  bridge and climbing
            the hills, among whom the twin merry genii of union and harmony,
            Ho Ho Erh Hsien, are conspicuous, and Liu Han, waiting on the
            bank for his familiar the three-legged toad, which is swimming across
            the river.  The storks flying above with rods in their beaks are
            the couriers of the immortals.  There  is a companion picture of
            woven silk in the collection (No. i648-'oo) which gives another
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