Page 355 - Chinese Art, Vol II By Stephen W. Bushell
P. 355

TEXTILES, WOVEN SILKS, ETC.                103

            short stitches, and gold threads stitched down in parts couched
            flatly.  The rectangular panels, intended probably for a screen,
            have each a lady with a fan in  tlie foreground and a young girl
            holding flowers, a bit of railing and sprigs of flowers on the ground
            and flowering  trees  rising from a sketchy rockery behind,  the
            intervals being filled in with birds and butterflies, dragon flies, and
            other insects.  It has the air of an early eighteenth century com-
            position.
              Tapestry  is a sort  of link between weaving and embroidery.
            Though wrought in a loom, like true weaving, and upon a warp
            stretched out along its frame,  it has no woof thrown across those
            threads with a shuttle or any like appliance, but its weft  is done
            with many short threads,  all variously coloured and put in by
            a needle, or knotted with the fingers.  It is not embroidery, though
            so very like  it, for tapestry is not worked upon what is really a
            web, having both warp and woof, but upon a series of closely set
            fine strings.  Carpets are closely akin to tapestry, though the use
            of them may perhaps not be so ancient.  The earliest notices we
            have of tapestry come from Egypt and Babylonia, and the Chinese,
            like Europeans, seem to have adopted the art of tapestry-making
            from western Asia.  The workmen in northern China in the present
            day are usually Mohammedans and the patterns they affect often
             betray non-Chinese influences  They use a high upright loom,
             at which several men work together, knotting into the warp, tuft
             after tuft, the materials of the pattern, whether  it be of silk or
             wool.  The pattern develops at the back of the loom, where the
             foreman stands to suggest any alterations that may be required
             during the progress of the work.  The fringes which are left at
             the top and bottom of the finished piece are really the fag ends
             of the warp.
               For large carpets to cover the floor the Chinese use felted materials
             such  as camel-hair, which are dyed with ornamental borders in
             black and red, or occasionally inlaid by stamping with coloured
                S'J41.                                          2 T! 2
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